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Closed Caption; Feature-length audio commentary by Julie Harris, Claire Bloom, Richard Johnson, Russ Tamblyn, director Robert Wise, and screenwriter Nelson Gidding; Still galleries; "Great Ghost Stories" essay; Interactive menus; Theatrical trailer; Scene access; Languages: English & Français; Subtitles: English, Français, & Español
Full Product DetailsSide #1 --
1. Credits
2. Hill House History
3. Expectations
4. Family Skeleton
5. Eleanor's Journey
6. Waiting for Her
7. Mrs. Dudley's Instructions
8. Alive
9. The Only Ones Left
10. Uneasy Explanations
11. Sleep Well
12. Night Noises
13. Supernaturally Practical
14. Writing on the Wall
15. Conservatory Dance
16. Fearful Heights
17. Girl Talk
18. Cold Spot
19. Whose Hand?
20. Burden of Fear
21. Hill House's Monster
22. New Ghost Hunter
23. It Knows I'm Here
24. Bulging at the Seams
25. Coming Apart
26. The Spiral Staircase
27. Atop the Stairs
28. Out of Place
29. The Accident
30. We Who Walk Here
Things that go bump in the night bump overtime in 1963's The Haunting, the quintessential haunted-house film from genre chameleon Robert Wise. The setup is as straightforward as they come: An anthropologist (Richard Johnson) arranges for a handpicked group of guests to stay at a remote New England mansion to investigate legends that it is haunted. Julie Harris, Claire Bloom, and Russ Tamblyn play the guinea pigs in this experiment, which unfolds into a classic ghost story where the spirits in question really do make quite a nocturnal racket. Don't expect much in the way of visual effects however: The Haunting is a Monkey's Paw-type thriller where what you don't see turns out to be scarier than what you do. Wise accomplishes this feat with some exquisite lighting and camerawork that simply immerses the viewer in an atmosphere of eerie mystery that, like the prolonged foreplay of an expert lover, continues long after other films would have climaxed. Harris provides a strange voiceover throughout, gradually revealing her character's strange affinity with the forces at work, while reinforcing the discomforting sense that the line between what is tangibly real and what is delusional can be difficult to draw. And some intriguing erotic tensions wind their way through the group, tensions that seem to become yet another layer of psychic danger. Ultimately, a lot is left to the imagination in The Haunting -- unlike its flashier 1999 remake -- making it a masterpiece of thoroughly distilled suspense. Gregory Baird, Barnes & Noble
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