The Green Pastures with Rex Ingram: DVD Cover
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The Green Pastures Director: Marc Connelly, William Keighley Cast: Rex Ingram, Oscar Polk, Eddie "Rochester" Anderson, Frank Wilson

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  • DVD Release Date: 01/10/2006
  • Original Release: 1936
  • Rating: Not Rated
  • Sales Rank: 4,583

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Features

Closed Caption; Commentary by actor LeVar Burton and black culture scholars Herb Boyd and Ed Guerrero; 1 Vintage musical shorts: Rufus Jones for President, featuring Ethel Waters and 7-year-old Sammy Davis Jr. ; An all-colored Vaudeville Show, featuring Adelaide Hall and the Nicholas Brothers; Theatrical trailer

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Scene Index

Disc #1 -- The Green Pastures
1. Cedits and Foreword [1:47]
2. Time for Sunday School [3:10]
3. Genesis [3:51]
4. Heavenly Fish Fry [3:15]
5. Let There Be Some Firmament [4:48]
6. Let There Be Man [3:05]
7. Adam, Eve and Cain [4:26]
8. Down to Earth [3:13]
9. Zeba and Cain the Sixth [3:27]
10. Lord's Day Unkept [3:09]
11. Instructions to Noah [5:32]
12. The Ark [2:54]
13. The Flood [3:54]
14. Starting Over [2:55]
15. New Scheme for Mankind [2:52]
16. Abraham, Isaac and Jacob [3:04]
17. Tasks and Tricks for Moses [3:49]
18. Old King Pharaoh [3:24]
19. Let the Hebrews Go [4:44]
20. Exodus [5:01]
21. Promised Lands [2:39]
22. Unrepentant Babylon [5:58]
23. Hearing Hezdrel [2:43]
24. What Faith Is [5:06]
25. Mercy Through Suffering [3:04]
26. Cast List [:43]

Scene Index

Editorial Reviews

The Green Pastures began life as a group of "revisionist" Biblical stories titled Ol' Man Adam and His Chillun, written in exaggerated Negro dialect by white humorist Roark Bradford. These Old Testament stories were purportedly told from the point of view of an elderly black Sunday School teacher, who translated the Biblical prose into words that his congregation ("untutored black Christians" was Bradford's description) could readily understand. Thus, "De Lawd" behaves very much like a Southern black Baptist preacher; Heaven is a wondrous bayou-like land of big cigars and eternal fish fries; "Cap'n" Noah is a languid ferryboat skipper who argues with De Lawd over the advisability of bringing along a couple of kegs of liquor on the Ark; and the court of the Pharoah is redefined as a "Mystic Knights of the Sea" type lodge hall, with Moses introduced as a "conjure man." It is, of course, a white man's perspective on black life, but both the original "Ol' Man Adam," and the subsequent Pulitzer Prize-winning stage version written by Marc Connelly and retitled Green Pastures, have a lot more clarity, profundity and spiritual reverence than most "serious" Biblical adaptations. In this 1936 film version of the Connelly play, Rex Ingram is nothing less than brilliant as De Lawd, speaking the most ludicrous of lines with dignity and quiet authority. Others in the all-black cast include Eddie "Rochester" Anderson as Noah, Frank Wilson as Moses, George Reed as Rev. Deshee, and Oscar Polk as Gabriel, who has the film's single most stirring line: "Gangway! Gangway for de Lawd God Jehovah!" Unlike many other so-called racist films of decades past, The Green Pastures nearly always charms and captivates its modern-day audiences; even the most adamant of "P.C" advocates will probably thoroughly enjoy the experience. Playwright Marc Connelly is credited as director of Green Pastures, as he was for the original stage version, but co-director William Keighley and director of photography Hal Mohr deserve most of the credit for the film's strong cinematic sense. Hal Erickson, All Movie Guide

Customer Reviews

NOT Politically Insensitive -- Gorgeous Filmby Anonymous

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May 05, 2006: The first reviewer of this film called it "Politically Insensitive", but went on to, not once but twice, refer to African-Americans as "Negroes". Makes you wonder. Anyway, this is a gorgeous film, very rarely on cable, and Definitely worth a look.

Wonderful Bible Storyby Anonymous

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January 24, 2006: If you can look past the outdated stereotypical characters, this is one of the best Bible Stories ever to grace the silver-screen. Not only is the plot true to the Holy Word, it captures what may truly be God's feelings and viewpoint of how the whole thing went down.


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