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Full Product DetailsSide #1 --
1. The East Egg [14:20]
2. Myrtle Wilson [13:30]
3. Invitation [11:23]
4. Lunch With Gatsby [5:52]
5. Reacquainted [14:22]
6. Rich and Poor [9:52]
7. A Party for Daisy [10:08]
8. Lovers [2:12]
9. Going Into Town [5:31]
10. Confronting Tom [11:19]
11. Trouble on the Road [7:14]
12. The Driver [5:58]
13. Revenge [1:17]
14. Put to Rest [8:06]
This third film version of F. Scott Fitzgerald's classic 1925 novel was one of the most hyped movies of the summer of 1974. Robert Redford stars as self-made millionaire Jay Gatsby, who uses his vast (and implicitly ill-gotten) fortune to buy his way into Long Island society. Most of all, Gatsby wants to win back the love of socialite Daisy Buchanan (Mia Farrow), now married to "old money" Tom Buchanan (Bruce Dern). Calmly observing the passing parade is Nick Carraway (Sam Waterston), Gatsby's best friend, who narrates the film. Francis Ford Coppola's screenplay is meticulously faithful to the original novel, but Theoni V. Aldredge's costume design and Nelson Riddle's nostalgic musical score won the film its only Oscars. The huge supporting cast includes Howard da Silva, who played Wilson in the 1949 Great Gatsby, and a very young Patsy Kensit as Daisy's daughter. Hal Erickson, All Movie Guide
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July 24, 2004: 'The Great Gatsby' (1974) is a story of decadence and decay from the 1920s, spawned from the pen of imminent author, F.Scott Fitzgerald. It?s full of wanton greed, lust, sex and murder set during the flapper age. Robert Redford is the quintessential sexy, Jay Gatsby. He?s at once a charmer and a recluse, throwing lavish parties on his Long Island estate for the ritzy jet set, though rarely attending, accept in absentee through a bird?s eye view from his second story window. But Gatsby?s unassuming secretiveness is brought into the light when he meets gawky paramour, Daisy Buchanan (Mia Farrow). She?s a godless, flighty flapper, married to a wealthy playboy, Tom (Bruce Dern), and cousin to the introspective, Nick Carraway (Sam Waterston) the young man living on the cottage near Gatsby?s estate. Nick is genuine and Gatsby, sensing that he can trust Nick, confides in him his romantic interests in Daisy. The two become lovers ? a relationship which is genuine for Gatsby but shallow, fleeting and inconsequential to Daisy. She soon returns to Tom who decides to set Gatsby up with the accidental hit and run of Myrtle Wilson (Karen Black) that he has committed. Tom and Myrtle used to be an item and Tom?s impregnation is passed off as Gatsby?s, leaving Myrtle?s distraught husband, George (Scott Wilson) with murder on his mind. Despite a screenplay by Francis Ford Coppola and stellar production values the film generally misses its mark in recanting the tale of a millionaire playboy, brooding away in his locked mansion for the woman that he lost. There's just something about Fitzgerald's writing that doesn't translate well to the big screen. The transfer is a huge, strange disappointment. Despite being anamorphically enhanced the picture elements look as though they've been fed through a meat grinder. Age related scratches and often excessive film grain crop up throughout, while some scenes are remarkably free of either distraction. The contrast levels during the dusk scenes are way too low. Colors are generally muted and during several scenes even bleed. There are digital artifacts throughout including more than a hint of edge enhancement, aliasing and shimmering of fine details. The audio is barely stereo and really weak in its spread. There are no extras.