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Fairbanks 1916 cult comedy "The Mystery of the Leaping Fish" newly remastered from a pristine 35 mm print; Excerpts from the Original Souvenir Program
Full Product DetailsSide #1 -- Full-frame Version
0. Chapter Selections
1. Opening Titles [2:37]
2. The Miracle [8:12]
3. The Gaucho [5:24]
4. Two To Tango [9:21]
5. Escapades by Night [6:54]
6. One Man Army [6:32]
7. Before the Shrine [6:34]
8. Ruiz the Usurper [4:16]
9. Court of Appeals [8:21]
10. The Gaucho and the Saint [3:08]
11. The Black Doom [6:38]
12. Divine Intervention [14:10]
13. Taken Prisoner [6:18]
14. The Stampede [3:38]
15. The New Law [3:22]
Douglas Fairbanks' The Gaucho is a curiosity: a traditional Fairbanks actioner with decidedly unsavory, unpleasant and uncharacteristic overtones. For the first time in his career, Fairbanks plays what would have been a villainous role in anyone else's film: An outlaw leader who exploits religion for his own nefarious purposes. As the unofficial leader of Miracle City, Fairbanks laughs aloud as the faithful flock to the shrine of the Madonna: he knows that, once they've left, he can claim the pitiful alms they've left behind. Eventually, however, Fairbanks experiences a religious conversion, thanks in part to the love of a good woman and in great part to a deus-ex-machina appearance by the Madonna Herself (portrayed, unbilled, by Fairbanks' wife Mary Pickford). A subplot involving leprosy and suicide adds to the overall discomforting tone of the film. Despite its lapses in taste, The Gaucho amassed a fortune for Fairbanks, who in 1928 could do no wrong at the box office. Lupe Velez makes her first major film appearance as a lusty mountain girl. Hal Erickson, All Movie Guide