The Fallen Idol with Ralph Richardson: DVD Cover
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The Fallen Idol
a.k.a. Lost Illusion Director: Carol Reed Cast: Ralph Richardson, Michèle Morgan, Bobby Henrey, Sonia Dresdel

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  • DVD Release Date: 11/07/2006
  • Original Release: 1948
  • Rating: Not Rated
  • Sales Rank: 530
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Features

New, restored high-definition digital transfer; A Sense of Carol Reed, a 2006 documentary featuring interviews with director Carol Reed's collaborators and friends; Illustrated Reed filmography; Original press book; Optional English subtitles for the deaf and hard of hearing; Plus: A booklet featuring new essays by critic Geoffrey O'Brien, author David Lodge, and Reed biographer Nicholas Wapshott

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Scene Index

Disc #1 -- The Fallen Idol
1. "Look After the Embassy, My Boy" [7:14]
2. Some Lies Are Kindness [4:16]
3. What a Fool the Man Is [10:10]
4. "You Can Trust Me, Baines" [5:50]
5. "They Gave It to Me!" [3:45]
6. A Day at the Zoo [7:02]
7. "My Macgregor" [:38]
8. "What Are You up To?" [7:02]
9. "Picking up Kids Now?" [6:40]
10. Death Is Ugly Business [4:18]
11. No, No, No, No [12:37]
12. No Evidence [9:46]
13. We Make One Another [7:50]
14. Color Bars [8:28]

Scene Index

Editorial Reviews

Adapted from the Graham Greene story The Basement Room, director Carol Reed's The Fallen Idol is told almost completely from a child's eye view-but it isn't a children's story. Young Bobby Henrey idolizes household butler Ralph Richardson. Therefore, when it seems as though Richardson might be implicated in a murder, Bobby does his best to throw the police off the track. The boy succeeds only in casting even more suspicion upon Richardson. As the story progresses, Henrey's hero worship is eroded by Richardson's shifty behavior, and even more so when the boy discovers that the butler's boasts of previous heroism are just so much hot air. The ending of the film differs radically from Greene's story. While it would seem that director Reed was merely paying homage to the "happy ending" philosophy (hardly likely, given the doleful climaxes of such films as Odd Man Out and The Third Man), the director had very solid reasons for altering the story: he was more fascinated by the concept of the boy's imagination nearly sending his idol to the gallows, rather than having the butler entrapped by facts. And though the ending is happy for the boy, the butler's fate is much more nebulous. Hal Erickson, All Movie Guide

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