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A visceral thriller set in the rugged Alaskan wilderness, The Edge augments its man-against-nature theme with complications deriving from human fear and treachery. Things get off to a shaky start when middle-aged billionaire Charles Morse (Anthony Hopkins) accompanies his supermodel trophy wife, Mickey (Elle Macpherson), on a shoot staged by smug photographer Robert Green (Alec Baldwin) and his weak-willed assistant, Steven (Harold Perrineau). When their sightseeing trip ends with a plane crash in a dense, remote forest, the three men are forced to rely on each other while finding their way back to civilization -- but distrust rears its ugly head and eventually pits moneybags against shutterbugs. As the bookish intellectual whose superior knowledge makes him a formidable survivalist, Hopkins is perfectly cast and extremely effective. Baldwin, likewise, is well suited to the role of the arrogant photographer. David Mamet’s script isn’t very strong on character motivation, and some of the situations strain credulity, but Mamet’s dialogue is characteristically terse and biting. The muscular direction of Lee Tamahori (Along Came a Spider) keeps things moving at a slam-bang pace and wrings every drop of suspense from the characters’ predicaments -- especially their pursuit by a huge, incensed Kodiak bear. The Edge is well titled: That’s the part of the chair on which you’ll be perched for the duration of this unbearably tense flick. Ed Hulse, Barnes & Noble
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