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Closed Caption; Feature commentary by director Bernardo Bertolucci, writer Gilbert Adair, and producer Jeremy Thomas; "Bertolucci Makes The Dreamers" documentary; "Outside the Window": Events in France, May, 1968" featurette; Michael Pitt music video "Hey Joe"; Theatrical trailer
Full Product DetailsSide #1 --
1. Main Titles
2. The American Cinephile
3. Theo & Isabelle
4. Dinner With the Family
5. Everything Fits Together
6. Spending the Night
7. Visions of Garbo
8. Roommates
9. Keaton or Chaplin?
10. The Bande à Part Test
11. One of Us
12. The Film & the Forfeit
13. Raising the Stakes
14. What Would You Do?
15. The Same As Twins
16. Lunch
17. Complicated
18. Three in a Tub
19. Proof of Love
20. The Date
21. The Secret Side
22. Distinct Contradictions
23. It's Forever...
24. The Naked Truth
25. To Die Like Mouchette
26. Revolution
27. Love or Violence?
28. End Titles
Notably released by Fox to U.S. theaters with an NC-17 rating, something major studios typically avoid like the plague, Bernardo Bertolucci’s 2003 film arrived with a whiff of scandal about it. The controversy surrounded the film’s frank depiction of sexual behavior, but the hubbub could not obscure the fact that the picture is one of Bertolucci’s very best. Taking place largely in a spacious Parisian apartment in 1968, The Dreamers focuses, laser-like, on three characters: Matthew (Michael Pitt), a young and aimless American student, and the twins Isabelle (Eva Green) and Theo (Louis Garrel), children of a famous French poet. They spend a lot of time at the cinemathèque, watching films of the French New Wave and talking about what they’ve seen. The trio’s incessant movie-trivia contests turn bizarre when the losers are commanded to perform certain sex acts. Despite this, the movie isn’t so tawdry as it sounds; moreover, Bertolucci’s handling of the material is faultless. A cineaste himself, the Last Emperor director clearly delights in interpolating great scenes from classic films, but the images he creates for this movie are no less voluptuous. The combination of movies, sex, and politics makes for an occasionally bewildering 100 minutes, but the performances are earnest and the director’s sure-handed approach is reassuring. Never quite as shocking as its detractors insist, The Dreamers is, in many ways, a throwback to the films and culture of the '60s. In that respect, it is every bit as satisfying and memorable as the cinema it lionizes as part of the plot. (Both the theatrical NC-17 and video-only R-rated editions are available.) Ed Hulse, Barnes & Noble
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