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Feature commentary with director Tod Williams and production team; "Author John Irving: From Novel to Screen"; Anatomy of a Scene; "The Making of the Door in the Floor"
Full Product DetailsSide #1 --
1. Main Titles
2. A Sound Like Someone Trying Not to Make a Sound
3. Marion, Waiting
4. A Masturbating Machine
5. Not So Fast, Abernathy
6. Come Hither...
7. The Door in the Floor
8. The Pawn
9. The Inadequate Lampshade
10. Nocturnal Animals
11. God Damn It, I Love This Song!
12. Leaving Long Island
13. Specific Details
14. Dumping Mrs. Vaughn
15. The Authority of the Written Word
16. Something Almost Biblical
17. A Motherless Child
18. The Leg
19. Down the Hatch
20. End Titles
Adapted from a John Irving novel -- or rather, the first third of A Widow for One Year -- this provocative drama provides Jeff Bridges and Kim Basinger the best roles they’ve had in years. Emotionally complex and, in spots, profoundly unsettling, The Door in the Floor tackles the dissolution of a troubled marriage with unusual intelligence and sophistication. Famous author Ted Cole (Bridges) and his wife, Marion (Basinger), have all the material comforts conducive to easy living, but they just aren’t getting along. Neither has ever really recovered from the death of their two sons in a car crash, and Ted copes with the diminution of Marion’s passion for him by engaging in a series of affairs. One summer, he hires a 16-year-old student named Eddie as an assistant, and the precocious teen immediately becomes attracted to Mrs. Cole -- who, in turn, is drawn to the boy because he resembles her oldest son. As presented by director Tod Williams, the story is rife with ambiguity; at one point it seems fairly obvious that Ted is pushing Marion to have an affair with Eddie, perhaps out of some cruel, sadistic fascination. Bridges plays the brilliant author as extremely manipulative, and therefore engenders little audience sympathy. Basinger, on the other hand, is achingly vulnerable as the emotionally wounded wife and mother who finds herself being drawn into an untenable relationship, partly out of sexual longing and partly out of an unhealthy attraction based on the boy’s resemblance to her dead son. There are no pat resolutions to the clearly defined narrative quandaries. While certainly not for all tastes, The Door in the Floor exhibits a sensibility that bears comparison to some of the best European-made dramas of recent years. It’s totally unlike any Hollywood film we’ve seen this year, an intellectually engaging slice of two very troubled lives. Ed Hulse, Barnes & Noble
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