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| More Formats | |
|---|---|
| DVD - Wide Screen / Uncensored / Subtitled | $14.99 |
| DVD - Pan & Scan | $14.99 |
| DVD | $14.99 |
The Descent: beneath the scenes; Newly remastered deleted and extended scenes; Outtakes; Descending - interview with director Neil Marshall; Director and crew commentary; Director and cast commentary; 1080P high definition 16x9 widescreen feature presentation of rated R and unrated endings; 6.1 PCM audio (uncompressed); 5.1 Dolby Digital surround EX audio; English and Spanish subtitles; Caving - a high definition experience; The Gate: The Descent underground experience: go to the next level of Blu-Ray viewing behind-the-scenes footage, in-depth interviews and commentaries, all without ever leaving the feature film!; Storyboard and scene comparisons; Stills gallery; Cast and crew biographies; Special features presented in high definition resolution
Full Product DetailsDisc #1 -- Descent
1. Seeking Adventure
2. Rustic Reunion
3. Journey Begins
4. Safey First
5. Sarah's Scare
6. Leading the Way
7. Slow Down Holly
8. White Tunnel
9. Body Battle
10. On Her Head
11. All Clear
12. Pool of Red
13. Presumed Dead
14. Body Count
15. End of the Road
16. Sarah's Escape
Recovering from a personal trauma, Sarah (Shauna Macdonald) agrees to accompany five female friends on a spelunking trip in South Carolina. The group's take-charge leader, Juno (Natalie Mendoza), gets all six women lost two miles below ground, where cannibalistic cave dwellers await. The Descent was lauded in some quarters as a "progressive" gore film because its protagonists were rugged women not content to die without putting up a fight. We wouldn't go that far, but Neil Marshall's sophomore outing as a horror-film director certainly deserves praise. It's lean and taut, reflecting unusual care in every phase of production. The atavistic "dwellers" are particularly impressive; kudos to the makeup department for creating such horrifying-looking creatures. The gore effects are also convincing, although the best ones aren't seen until late in the game. Clearly, Marshall wanted the horror to build slowly and not overwhelm the audience early on. And he allots more than the usual amount of footage to group dynamics, showing how friendships dissolve and long-submerged feelings come to the surface as the party's situation becomes increasingly desperate. Ed Hulse, Barnes & Noble
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