The Conversation with Gene Hackman: DVD Cover

    The Conversation Director: Francis Ford Coppola Cast: Gene Hackman, John Cazale, Allen Garfield, Frederic Forrest

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    • DVD Release Date: 12/12/2000
    • Original Release: 1974
    • Rating: Rated PG
    • Sales Rank: 8,717

    Viewer Rating: (5 ratings)

    Detailed Rating: "Performances" See All

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    • Overview
    • Editorial Reviews
    • Scenes
    • Customer Reviews
    • Cast & Crew
    • Full Product Details

    Scenes

    Features

    Commentary by director Francis Ford Coppola and film editor Walter Murch; featuretteClose-Up On The Conversation; theatrical trailer

    Full Product Details

    Scene Index

    Scene Selection
    0. Scene Selection
    1. Not Hurting Anyone [9:18]
    2. Happy Birthday Harry [4:35]
    3. Preeminent In The Field [6:13]
    4. I Wanna Know You [8:17]
    5. Don't Get Involved [4:44]
    6. "He'd Kill Us If He Got The Chance" [8:29]
    7. Surveillance Convention [8:33]
    8. How'd You Do It? [2:06]
    9. Tricked [19:09]
    10. The Director [10:11]
    11. Room 773 [8:27]
    12. We'll Be Listening To You [11:45]

    Scene Index

    Editorial Reviews

    Francis Ford Coppola directed this brilliant psychological thriller while at the height of his powers, between the runaway successes of The Godfather and The Godfather: Part II. Gene Hackman stars as Harry Caul, a surveillance expert hired to secretly record a young couple's conversation -- what he hears soon leads him to suspect that the pair may be in mortal danger. The Conversation beautifully creates an atmosphere of voyeurism, as we see the unwitting couple in telephoto shots and hear their voices lost in a sea of noise until Caul carefully processes the audiotapes to make their conversation emerge from the sonic murk. The incredible sound work earned Oscar nominations for Walter Murch and Arthur Rochester, and Murch joins Coppola on the DVD's illuminating audio commentary. Coppola's screenplay is impeccably shaded with nuance, building tension slowly before concluding in a head-spinning twist. Both The Conversation and The Godfather: Part II were nominated for the Best Picture Oscar that year (Coppola received best screenplay nominations for both pictures as well), and although The Godfather: Part II took both awards, The Conversation still stands among the finest American films of the '70s. The special-edition DVD also includes a featurette, interviews, and a theatrical trailer. Gregory Baird, Barnes & Noble

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    Customer Reviews

    • Viewer Rating:
    • Ratings: 5Reviews: 1

    "We'll be listening.",by Anonymous

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    September 06, 2005: The dreadfully real technology revealed during the Watergate investigations lent a special relevance to Francis Ford Coppola's film about wiretapping. However, the film's astonishingly prophetic script was written five years before the film was made and the Watergate scandal broke. It is Coppola's most successfully realized work to date. In "The Conversation", Coppola combines the technological monsters we know are real with those we suspect to be real and focuses finally and most ruthlessly on one person no one thinks much about: the man doing the listening. Harry Caul (Gene Hackman), is a security specialist who performs wiretapping and eavesdropping operations for powerful clients. A requirement of the job is a profound personal detachment. A professional, he is a solitary soul he relates most actively to the world via the technology at his disposal. Even his hobby, playing the saxophone along with jazz records, relies on his interaction with impersonal strangers. He evinces a neurotic fear of precisely what he does to others he is absolutely phobic about his privacy, keeps an unlisted phone number and shuns all social contact, the exception being his girlfriend (Teri Garr). Throughout the film, regardless of the weather, he wears a transparent raincoat, as if to sanitize himself from his environment. At confession, he admits to stealing newspapers. Only a virtuoso performance by Gene Hackman incorporates these striking contradictions within a plausible character Harry's career forces him to maintain an elaborate and at times ridiculous system of repressed instincts, rather like Maupassant, who disliked the Eiffel Tower so much that he ate lunch in its observation deck every day so he wouldn't have to look at it. As a thriller plain and simple, the film is without peer. It has a slow and careful pace at first that accelerates to moments of indescribable fright. There is a bathroom scene that will make you afraid ever to use indoor plumbing again and a twist ending so completely surprising and convincing as to change the meaning of every scene in the film and make the denouement of "Psycho" seem predictable in comparison. Coppola was not the first filmmaker to present a nightmare world of humans without humanity or human rights. But his nightmare is the most convincing because it is the world in which we live. [filmfactsman]