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Feature commentary with director Paul Greengrass; deleted scenes; eight featurettes including "Matching Identities" (on casting), "Keeping It Real" (stunts); "Blowing Things Up," "On the Move with Jason Bourne" (camerawork), "Bourne to be Wild" on Damon'd fight training, "Crash Cam: Racing Through the Streets of Moscow," and "The Go-Mobile Revs up the Action"; Anatomy of a Scene: The Explosive Bridge Chase Sequence" scoring featurette with composer John Powell.
Full Product DetailsSide #1 --
1. Bits and Pieces [4:30]
2. The Neski Files [5:13]
3. Blown [5:38]
4. No Choice [6:38]
5. One of Us [1:32]
6. Operation Treadstone [5:38]
7. Priority Target [6:00]
8. The Local Contact [2:51]
9. The Last Two [6:52]
10. Looking for Landy [3:02]
11. In the Crosshairs [4:50]
12. The Alexanderplatz [2:34]
13. Some Simple Questions [5:35]
14. What If... [1:37]
15. Room 845 [4:12]
16. On the Run [6:44]
17. The Patriot [:16]
18. To Moscow [4:19]
19. Kirill's Prey [6:38]
20. Death Chase [2:50]
21. Into the Light [5:23]
22. The Truth [1:44]
23. The File on David Webb [5:23]
24. End Titles [1:45]
This rousing sequel to The Bourne Identity, again starring Matt Damon as the amnesiac ex-spy created by bestselling author Robert Ludlum, boasts a stronger cast, muscular direction, and quicksilver pacing. It begins with Jason Bourne and his lover (Franka Potente), also repeating her role from the original) enjoying life in a tropical paradise -- that is, until she is killed by an assassin gunning for Bourne. Believing that the CIA is behind the attack, Bourne relentlessly pursues his old boss (Brian Cox), who's now dealing with a female administrator (Joan Allen) even more ruthless than he is. And it gets worse: Although Bourne doesn't know it, he's been framed for the murder of a CIA operative in Berlin -- which means his former colleagues are as eager to find him as he is them. The boyishly handsome Damon, whose casting as Bourne originally raised eyebrows, plays the preternaturally gifted spook with remarkable intensity. He's grimly convincing whether jury-rigging high-tech gadgets or dispatching experienced combatants in unusual settings. Interestingly, Damon's is a performance that's carried by pantomime: he has very little dialogue, and we understand much of what he's doing by his facial expressions and body language. Frequent cutaways to the opposition heighten the tension, especially because the Cox and Allen characters are working at cross-purposes; their dialogue exchanges are also wonderfully tart. Paul Greengrass (Bloody Sunday) rates kudos for vividly capturing exotic foreign locations while staging high-powered action sequences, including the best car chase we've seen in years, and maintaining an unflagging pace. Ed Hulse, Barnes & Noble
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