DVD - Wide Screen Learn more
Enter a zip code
An introduction to the film by Mortimer Young - produced and directed by the Coen Brothers; Jeff Bridges' on-set photos; "The Making of The Big Lebowski"
Full Product DetailsDisc #1 -- The Big Lebowski
1. Tumbling Tumbleweed [3:44]
2. Mistaken Identity [1:51]
3. Opening Credits [2:02]
4. The Rug [2:22]
5. The Other Lebowski [6:25]
6. Over the Line [3:33]
7. A Kidnapped Bunny [5:02]
8. Jesus [4:24]
9. The Ringer [7:50]
10. Stolen Car [5:19]
11. Maude [5:32]
12. Bunny's Toe [6:22]
13. A Visit From the Stranger [7:05]
14. The Dude's Check-Up [5:18]
15. A Stellar Performance [4:39]
16. Smut Business [2:05]
17. The Gutterballs [6:43]
18. Chances of Conception [5:35]
19. Day of Rest [13:26]
20. Ashes to Ashes [4:55]
21. The Dude Abides [4:51]
22. End Credits [3:16]
An unlikely mélange of bowling, Budweiser, and some Raymond Chandler-inspired L.A. noir turns out to be a perfect blend in The Big Lebowski, a virtuoso comedy from Joel and Ethan Coen. Jeff Bridges portrays Jeff Lebowski (known to his friends as "the Dude") -- a lazy, unemployed, and eminently likable stoner with a taste for Kahlùa who gets accidentally involved in a convoluted kidnapping case. Bridges is perfect as a textbook fish out of water, blundering his way through the complex plot like a memory-impaired Phillip Marlowe with a White-Russian mustache and taking more punches than even the hardest of hard-boiled detectives. Along for the ride is John Goodman, who plays the Dude's best friend and bowling partner, a buffoonish Vietnam vet with a hair-trigger temper and an endless supply of harebrained schemes. Simply put, this might be the gnarliest of noir send-ups. Meanwhile, the visuals cast unexpected light on the mechanics of bowling, as tour-de-force montages of shiny lanes and ball's-eye views whet one's appetite for a little ten-pin action. As is typical for a Coen brothers film, The Big Lebowski is genre savvy and multi-referential: riffing on the Dude's stonerdom, they provide a few hallucinogenic, Busby Berkeley-style fantasy sequences for those moments when he is knocked senseless. And riffing on his all-important nickname, they frame the whole film with a cowboy monologue, delivered in a liquid-smooth basso by Sam Elliot. Yes, The Big Lebowski may be a strange brew, but it tastes great and has "a kick like a mule." Gregory Baird, Barnes & Noble
More reviews and recommendations