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16x9 letterbox; 5.1 surround sound; Commentary track with director Henry Bean; Anatomy of a Scene: The Believer courtesy of Sundance Channel; Video interview with director Henry Bean; Theatrical trailer; Previews and weblinks; Scene access; English & Spanish subtitles
Full Product DetailsSide #1 --
1. God's Power [10:27]
2. The New Recruit [6:16]
3. Faith and Power [3:12]
4. They're Not My People [2:56]
5. The Interview [6:25]
6. The Country Retreat [3:28]
7. Target Practice [3:34]
8. Making an Impact [3:06]
9. Sensitivity Training [4:40]
10. Desecration [5:01]
11. God Intervenes [4:00]
12. Attack on a Jew [3:19]
13. A Fascist Movement [2:36]
14. Hebrew Lesson [4:00]
15. Seminar [4:34]
16. An Old Friend [2:53]
17. Explaining Judaism [3:08]
18. At the Synagogue [2:47]
19. The Lecture [3:46]
20. Assassination [4:41]
21. A Change of Plans [2:49]
22. A Warning [2:12]
23. Leading the Service [4:47]
24. End Credits [4:06]
A riveting, thought-provoking, and complex work, this winner of the 2000 Grand Jury Prize at the Sundance Film Festival has been kept under wraps for too long. Initially shunned by distributors because of its daring, controversial subject matter, the film was first aired on Showtime and finally made it to some theaters in the spring of 2003. Inspired by the true story of a Ku Klux Klan member who was revealed to be Jewish in an article in The New York Times, The Believer recounts the transformation of a clever, argumentative yeshiva boy from Brooklyn into a violent neo-fascist skinhead. Canadian actor Ryan Gosling anchors the film with his volcanic and unforgettable portrayal of Danny Balint, a young man trapped in a vortex of destructive psychological contradictions. Director and screenwriter Henry Bean (Enemy at the Gates) appears to know his terrain, depicting with gritty verisimilitude both the clandestine skinhead world and the insular community of committed Orthodox Jews in New York. Billy Zane and Theresa Russell are convincing as Danny’s mentors in the right-wing underground. Russell is particularly effective, masterfully incarnating "the banality of evil." Summer Phoenix has an interesting turn as their brilliant but unmoored teenage daughter. Although Bean’s screenplay raises more questions than it answers, and at times strains credulity, it is never less than engrossing, intellectually challenging, and emotionally explosive. The Believer, a significant work that has sparked more than its share of debate, builds to an understated yet heart-pounding and devastating climax. David Sobel, Barnes & Noble
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