DVD - 2 Disc Set - Black & White Learn more
Enter a zip code
| More Formats | |
|---|---|
| DVD - Black & White / Mono | $24.99 |
"Tracing Battleship Potemkin," a 42 minute documentary on the making and restoration of the film; The restored film with newly translated English intertitles; The Restored film with original Russian intertitles (and optional English subtitles); The original 1926 Edmund Meisel score, performed by the Deutsches Filmorchestra, presented in 5.1 Stereo Surround; Photo gallery
Full Product DetailsDisc #1 -- Battleship Potemkin
1. Opening Titles [:08]
2. The Sleep of the Off-Duty [1:50]
3. Meat [2:11]
4. Daily Bread [5:28]
5. Commander Golikov [4:22]
6. The Firing Squad [1:46]
7. Rising Up [6:57]
8. Vakulinchuk [5:01]
9. Final Rest [3:31]
10. In Remembrance [2:57]
11. Down With Tyranny [4:20]
12. Delegate From the Shore [2:08]
13. Harmony [1:24]
14. The Shattered Calm [3:27]
15. A Mother's Plea [2:04]
16. The Baby Carriage [3:01]
17. Turbulent Meetings [2:18]
18. The Squadron Approaches [2:37]
19. Full Speed [4:01]
20. Join Us! [5:10]
1. Opening Titles [:08]
2. Russian-German History [3:44]
3. Censored Scenes [3:30]
4. The Score [4:46]
5. The 1950 Version [5:25]
6. Lost Scenes [6:02]
7. The 1976 Version [4:08]
8. Unanswered Questions [8:11]
Disc #2 -- Battleship Potemkin
1. Opening Titles [:08]
2. The Sleep of the Off-Duty [1:50]
3. Meat [2:11]
4. Daily Bread [5:28]
5. Commander Golikov [4:22]
6. The Firing Squad [1:46]
7. Rising Up [6:57]
8. Vakulinchuk [5:01]
9. Final Rest [3:31]
10. In Remembrance [2:57]
11. Down With Tyranny [4:20]
12. Delegate From the Shore [2:08]
13. Harmony [1:24]
14. The Shattered Calm [3:27]
15. A Mother's Plea [2:04]
16. The Baby Carriage [3:01]
17. Turbulent Meetings [2:18]
18. The Squadron Approaches [2:37]
19. Full Speed [4:01]
20. Join Us! [5:10]
The great Russian director Sergei Eisenstein created a perfect synthesis of political themes and progressive film theory in his silent 1925 masterpiece, Battleship Potemkin. This seminal film tells the story of a mutiny of oppressed sailors aboard a Russian battleship in 1905, portrayed here as an important step toward the nationwide Bolshevik Revolution that would occur a decade later. Eisenstein was one of the 20th century's foremost film theorists, and Potemkin is a vivid example of the power of his approach. The centerpiece of his technique was montage, and Potemkin has enough separate shots and cuts for a dozen conventional narrative films, each designed to have a carefully calculated effect. Subtlety of acting is deliberately avoided; all characters function as clearly defined types. The resulting pace and rhythm is mesmerizing and undeniably effective, guiding (some would say manipulating) the viewer through a series of precisely planned emotional reactions. Good and evil are clearly defined here, and the story's clear moral perspective and total lack of ambiguity puts Potemkin squarely in the realm of propaganda. Indeed, it is perhaps the greatest propaganda film ever made. The famous sequence on Odessa's seafront steps, where czarist soldiers ruthlessly massacre innocent civilians, ranks as one of the most famous single sequences in the history of film. Required viewing for any student of cinema, Potemkin is, shot for shot, among the most closely studied films in history. It dazzles, though, in any viewing context. Gregory Baird, Barnes & Noble
More reviews and recommendations