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Full Product DetailsSide #1 --
1. Opening Sequence [4:34]
2. One Year Earlier [4:41]
3. Don't Be a Stranger [4:55]
4. The Land of Plenty [4:52]
5. 10:00 AM [5:26]
6. The Zebras [4:26]
7. Don't You Remember [4:16]
8. The Sacrifice [6:21]
9. Businessmen [6:27]
10. Charade [4:47]
11. More Patience [2:55]
12. Dissolution [4:08]
13. Last Day [3:32]
14. Notice in the Mail [2:50]
15. Things to Discuss [5:12]
16. Simple Idea [4:57]
17. Confrontation [4:46]
18. Baltimore Airport [6:00]
19. My Name Is Sam Bicke [5:32]
20. End Credits [4:20]
Depending on how you look at it, this bizarrely compelling story is either “the mad story of a true man” (as the marketing campaign’s tag line reads) or the true story of a madman. Because Assassination is, in fact, based on a true story -- although it’s plainly evident that director/co-writer Niels Mueller has taken liberties with the facts and imbued the narrative with his own mordant sense of humor. The year is 1974. Sam Bicke (Sean Penn) is a beaten man. As an office-supplies salesman he’s a disaster. His hopes of establishing a tire-service center with longtime friend Bonny Simmons (Don Cheadle) are dashed when the Small Business Association bottles up his loan application. Worst of all, his wife, Marie (Naomi Watts), is about to leave and take their two daughters with her. Sam sees nothing but injustice about him, and fixates on then-President Richard M. Nixon as its source. So, wearing a fake mustache and concealing a gun in a leg brace, he heads for the airport to hijack a plane and fly it into the White House. In a post-9/11 world, that doesn’t seem like such an unlikely prospect, and it’s to Muller’s credit that he’s able to wring laughs out of Sam’s obsessive scheme. This movie isn’t making a political statement per se; Nixon just happened to be the guy in the White House when the real-life Bicke went off his rocker. The Assassination of Richard Nixon is about the descent into madness of a man who -- not without reason -- believes himself the ultimate victim of social injustice. Muller even concocts a stupefying subplot in which Sam attempts to join the Black Panthers, believing them to be kindred spirits. Clearly, this is the role Sean Penn was born to play. There isn’t another actor working in American film today capable of suggesting the quiet rage, the irrational hatred that bubbles beneath Sam Bicke’s placid exterior. Penn seems to be a pretty angry guy himself, and his trademark intensity is exactly the right quality this role demands. His is not the only exceptional performance, however. Watts is eminently believable as Sam’s long-suffering wife, and Cheadle makes a perfect foil. But without Penn there would be no movie. Try to imagine the Godfather movies without Al Pacino, and you’ll have an idea of what we mean. Ed Hulse, Barnes & Noble
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