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Closed Caption; Disc 1:; Widescreen 16:9; Audio commentary with director and producer ; 6.1 DTS-ES/5.1 Dolby-EX/2.0 Dolby Stereo; Subtitles - English and Spanish ; Trivia track ; Song selections/Performances; How it all began: "The Photo That Started It All," "The Video That Started It All"; BMWfilms.com presents The Hire: A Series of Short Films (Hostage, Ticker, Beat the Devil); ; Disc 2:; Dinner with the Funk Brothers; Multiangle jam sessions ; Deleted scenes; The ones that didn't make it ; At long last glory ; Funk Brothers video biographies ; Music video montage ; Selected discography; Honorable mentions; Hi-resolution - DVD-ROM playble version; Interactive - Virtual recording studio
Full Product DetailsSide #1 -- Disc One
1. Main Title/Unheralded Dreamers [4:18]
2. Days of Innocence/Detroit [1:12]
3. Gerald Levert "Reach Out I'll Be There" [1:32]
4. "Who Are the Funk Brothers?" [3:42]
5. Joan Osborne "(Love Is Like a) Heatwave" [3:21]
6. Fearless James Jamerson [4:00]
7. Fantasyland in Studio A [2:18]
8. Meshell Ndegeocello "You Really Got a Hold on Me" [2:41]
9. One Chance, One Take [3:09]
10. Bootsy Collins "Do You Love Me" [2:00]
11. Touring Days [4:09]
12. Benny "Papa Zita" Benjamin [2:47]
13. Gerald Levert & Tom Scott "Shotgun" [3:12]
14. Johnny Griffith and the Man Around Town [6:59]
15. The Motown Formula [1:10]
16. Ben Harper "Ain't Too Proud to Beg" [3:32]
17. Earl Van Dyke and the Raw Power [3:46]
18. He Ain't Spying, He's My Brother [2:40]
19. Bootsy Collins "Cool Jerk" [2:12]
20. Earthbound and Unknown [3:16]
21. Typewriters and Tambourines [2:06]
22. Ben Harper "I Heard It Through the Grapevine" [3:31]
23. Heckyl, Jeckyl & Son [2:31]
24. Eddie "Bongo's" Licks [1:29]
25. Joan Osborne "What Becomes of the Brokenhearted" [4:16]
26. Robert White and His Oreos [3:37]
27. Meshell Ndegeocello "Cloud Nine" [3:06]
28. Up to the Babbitt Standard [3:21]
29. No Question of Race [4:05]
30. Chaka Khan "What's Going On" [3:38]
31. When Motown Left [3:15]
32. The Funk Brothers [1:40]
33. Chaka Khan & Montell Jordan "Ain't No Mountain High Enough" [2:46]
34. Hitsville, U.S.A. [:48]
35. End Credits [5:26]
Some unsung heroes of pop music get long-overdue recognition in Standing in the Shadows of Motown, a heartfelt documentary directed by Paul Justman. They called themselves the Funk Brothers, a talented group of a dozen or so musicians who were recruited by Berry Gordy from the jazz and blues clubs of Detroit to record the musical tracks for Gordy's Motown label. Although they worked in relative anonymity, these studio musicians were responsible for a staggering number of soul and R&B hits. The Funk Brothers backed up the Supremes, the Temptations, Smokey Robinson, Marvin Gaye, and a host of other Motown luminaries, only to be all but abandoned when the label moved to L.A. in the early 1970s. Standing in the Shadows allows the surviving Funk Brothers to tell their own story, and they tell it well, anchored by the sheer charm of keyboardist Joe Hunter and percussionist Jack "Black Jack" Ashford. Together, they paint a vivid picture of the close-knit musical collaboration that churned out hit after hit in Motown's Studio A (a basement room known affectionately as "the snake pit"). But even more time is spent profiling those Funk Brothers who are now "here in spirit," notably drummer Benny "Papa Zita" Benjamin, keyboardist Earl "Chunk of Funk" Van Dyke, and, at the center of it all, the legendary bassist James "Igor" Jamerson. Jamerson's story may be the most moving: He's portrayed as the genius who, though largely responsible for the distinctive Motown groove, labored in obscurity while battling drugs and the personal demons that would ultimately claim his life. While Jamerson's story best exemplifies the film's tragic element, Standing in the Shadows is ultimately a celebration of these talented musicians, climaxing in a triumphant Funk Brothers reunion concert in Detroit at which a host of artists -- including Joan Osborne, Ben Harper, Bootsy Collins, and Chaka Kahn -- perform such Motown classics as "I Heard It Through the Grapevine," "Ain't Too Proud to Beg," and "What's Goin' On?" It's hard to imagine a more effective tribute to these legends than Standing in the Shadows of Motown: It's a family portrait made with love that's a feast for both the ears and the heart. Gregory Baird, Barnes & Noble
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