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Closed Caption; Audio commentary with writer/director Nancy Meyers, Diane Keaton, and producer Bruce A. Block; Audio commentary with writer/director Nancy Meyers and Jack Nicholson; Harry Sings Karaoke to Erica: Deleted scene; "Hamptons House Set Tour With Amanda Peet"; Cast and crew filmographies; Theatrical previews
Full Product DetailsSide #1 --
1. Start [2:17]
2. Harry Sanborn, a Famous Bachelor [3:34]
3. The Barry Sisters [2:53]
4. At the Barefoot Contessa [2:05]
5. Dinner With an Escape Artist [6:35]
6. A Mild Heart Attack [2:29]
7. Dr. Julian Mercer, a Huge Fan [2:34]
8. A Little Loopy [4:01]
9. Dave Klein, the Ex-Husband [1:47]
10. Erica Barry, Night Nurse [2:27]
11. The "You Saw Me Naked" Thing [2:20]
12. If You Can Climb a Flight of Stairs [2:32]
13. Dr. Mercer's Prescription [2:54]
14. A Walk on the Beach [5:41]
15. A Date With Julian [4:49]
16. Pajama Party [8:45]
17. 120/80 [4:51]
18. Overwhelmed [2:28]
19. An Old Dog Learns New Tricks [14:33]
20. The Fiancée [2:14]
21. Love Hurts [7:27]
22. Erica's Sob Story [5:50]
23. Something From the Farm Stand [4:29]
24. Schmucks Are People, Too [6:32]
25. Married & Three Months Pregnant [3:13]
26. Closure to Generations of Women [5:32]
27. Erica's Birthday Dinner [4:02]
28. 63 & in Love for the First Time [8:46]
The best romantic comedy of 2003 derives much of its effectiveness from the inspired teaming of two inimitable big-screen veterans: Jack Nicholson and Diane Keaton. Writer-director Nancy Meyers certainly deserves a great deal of credit for supplying witty dialogue and directing her A-list cast with a feather-light touch, but ultimately this little ditty is all about Jack and Diane. Nicholson plays a music industry tycoon who practices serial monogamy with women young enough to be his daughters. While trysting at a beachfront home with his latest girlfriend (Amanda Peet), the aging lothario is stricken with a heart attack and confined to the house, much to the chagrin of his date's mother (Keaton), a blocked playwright and divorcée who doesn't take kindly to Jack's liaison with her daughter. Meyers concentrates at first on the gradual thawing of their initially frosty relations, and then on the mutual attraction that blossoms into romance -- with all the attendant misunderstandings and complications. It's so refreshing to see a film of this type made with, about, and for middle-aged people, a constituency to which Hollywood has given short shrift in recent years. What's more, the casting lends a great deal to the enterprise's credibility: Nicholson is widely known to prefer dalliances with younger women, and Keaton's well-documented eccentricities make her eminently believable as the repressed, neurotic writer. About the only thing for which Meyers can be faulted is the underutilization of her massively talented supporting players. Only Keanu Reeves, playing the young doctor who treats Nicholson and falls in love with Keaton, gets juicy scenes and a reasonable amount of screen time. Nicholson and Keaton -- who earned a Best Actress Oscar nomination -- are the main attractions here. It's a pleasure to see these old pros sparring onscreen in roles that fit them like gloves. Something's Gotta Give endearingly kids the conventions of contemporary, youth-oriented Hollywood romances yet also has the good sense to poke fun at the faults and foibles of its principal characters. Barnes & Noble
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