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Digitally mastered audio and anamorphic video; Widescreen and full-screen presentations; Audio: English 2-channel [Dolby Surround], French, Spanish; Subtitles: English, French, Spanish, Portuguese, Chinese, Korean, Thai; Bonus trailers; Interactive menus; Talent files; Production notes; Scene selections
Full Product DetailsScene Selections
0. Scene Selections
1. Start [5:36]
2. Oedipal slow dance [5:08]
3. Tanya & the new guy [5:48]
4. A mother's questions [1:29]
5. Mr. Fallows' class [2:31]
6. Plans of her own [2:36]
7. At Tanya's house [3:53]
8. A hand for Mr. Fallows [3:18]
9. In pursuit [6:19]
10. "He didn't have no face." [2:11]
11. One hungry mother [4:32]
12. Tanya meets Mary [3:17]
13. Homeland Cemetery [2:23]
14. Lunch [5:08]
15. "Cop-kabab!" [:16]
16. Home to mother [2:50]
17. "Charles isn't human." [2:38]
18. Things look dim [3:25]
19. A long hot bath [5:05]
20. Not the wind [1:14]
21. Mary Brady pays a call [:56]
22. No vegetables, no dessert [2:15]
23. Mother vs. Travis' finest [1:30]
24. Going to see Charles [3:00]
25. A last dance [:57]
26. Clovis leads the way [1:36]
27. Cat scratch fever [:27]
28. All fired up [2:50]
Stephen King wrote his first original screenplay for this horror gore fest that features cameos by directors Clive Barker, Joe Dante, Tobe Hooper, John Landis, and King himself (playing a cemetery attendant). The story concerns a twilight people named "sleepwalkers" --creatures similar to vampires and werewolves whose faces turn animalistic whenever they are frightened or angry and who require the lifeforce of a virgin to survive. A single-parent sleepwalker family, consisting of Mary Brady (Alice Krige) and her son Charles (Brian Krause), have taken up residence in a small Indiana town. Charles has expressed a romantic interest in the attractive Tanya Robertson (Madchen Amick), a girl in his high school literature class. Mary wants Charles to lure Tanya home so that she can suck out her life force, but it appears that Charles has fallen in love with her --that is, until their first date, at a picnic at the cemetery. There Charles changes from a shy romantic suitor into a brutal and violent force, slapping Tanya around and attempting to rape her. But Tanya wards off his advances by plunging a corkscrew into his torso. Charles staggers back home to mother, where she nurses him back to health. Then Charles and his mother seek vengeance upon the Robertson family. Paul Brenner, All Movie Guide