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This tender and often painfully funny 1984 comedy introduced John Hughes, the producer-director-writer destined to own and operate the world of cinematic teen angst for the rest of the decade. A voice from Chicago's suburban North Shore, Hughes deftly captured the reveries, rhythms, and rationalizations of young adulthood while delivering enough big laughs to score in the box office. The movie opens with Samantha Baker (Molly Ringwald) on the eve of her 16th birthday, skulking in the shadows as her family gears up for older sister's wedding the next day. Even more depressing, she's invisible to the man of her dreams, Jake Ryan (Michael Schoeffling), while the school Geek (Anthony Michael Hall) has become smitten with her, and she's obligated to take an equally geeky exchange student, Long Duk Dong (Gedde Watanabe), to the school dance. The night that follows turns that hallowed high school tradition, the social pecking order, on its head. Featuring early appearances by siblings John and Joan Cusack, Sixteen Candles is a testament to that singular anticipation and frustration that make every night in a teenager's life feel like the longest, most important night in the history of the world. And while Hughes went on to even greater successes (The Breakfast Club, Ferris Bueller's Day Off, and the Home Alone series), Sixteen Candles will endure as his most natural and satisfying film. Matthew Johnson, Barnes & Noble
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