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Disc One: ; Restored high-definition digital transfer, supervised by editor Geraldine Peroni and approved by director Robert Altman; Dolby Digital 5.1 soundtrack mix, plus isolated music track; ; Disc Two:; Video conversation between Robert Altman and Tim Robbins; Luck, Trust and Ketchup: Robert Altman in Carver Country, a feature-length documentary on the making of Short Cuts; To Write and Keep Kind, a PBS documentary on the life of Raymond Carver; Segment from BBC Television's Moving Pictures tracing the screenplay's development; One-hour 1983 audio interview with Carver, conducted for the American Audio Prose Library; Original demo recordings of the Doc Pomus - Mac Rebennack songs, performed by Dr. John; Deleted scenes; A look inside the marketing of Short Cuts
Full Product DetailsDisc #1 -- Short Cuts: Feature Film
1. Logos [:26]
2. Opening Credits [9:14]
3. "Prisoner of Life" [2:43]
4. Stormy Weathers [4:52]
5. "Neighbors" [4:14]
6. "C-R-A-C-K" [6:25]
7. Casey's Accident [4:04]
8. "A Stroke of Luck" [4:18]
9. "Casey, Wake Up!" [3:33]
10. "One Big Candle" [2:15]
11. Dr. Wyman [2:34]
12. "How Many Clowns Can You Fit in That Car/" [3:31]
13. The Body [4:13]
14. Suzy Is Missing [4:10]
15. "Beyond Natural Color" [2:17]
16. Birthday Party [5:02]
17. "Conversation On a Bar Stool" [4:39]
18. String Players Are Weird [6:24]
19. Father and Son [6:56]
20. Hit and Run [6:14]
21. "He's Playing Around" [7:15]
22. "An Unlucky Day" [7:24]
23. Virtual Reality [5:32]
24. "We Found a Body Up There" [3:38]
25. "To Hell With Love" [8:56]
26. "Till the Wheels Come Off" [7:20]
27. "This Is Your Lucky Day" [5:32]
28. Code Blue [6:57]
29. "Will You Please Be Quiet, Please?" [9:11]
30. Jeopardy [6:16]
31. "I Don't Know You" [8:23]
32. Behind Closed Doors [3:36]
33. "A Smokin' Good Time" [5:55]
34. "I Threw It Away" [1:56]
35. The Earthquake [5:59]
36. "Here's to Lemonade"/End Credits [5:45]
Disc #2 -- Short Cuts: Supplements
1. Altman and Carver [2:18]
2. Tess Gallagher [1:53]
3. Adapting Carver [2:29]
4. Altman's Career [1:39]
5. Lily Tomlin and Tom Waits [3:05]
6. On Storytelling [1:40]
7. Tim Robbins and Madeleine Stowe [6:57]
8. Fishing [3:32]
9. "The Thingness of the Body" [1:43]
10. Experiments [3:41]
11. Tension and Menace [3:05]
12. Carver in Altman Country [4:03]
13. Trust [3:20]
14. Anne Archer and Fred Ward [4:30]
15. "Lemonade" [2:13]
16. Lori Singer [2:23]
17. Annie Ross [4:37]
18. The Low Note [2:50]
19. Luck [4:10]
20. Jack Lemmon [4:23]
21. Lyle Lovett [3:20]
22. Dailies [4:26]
23. Sexuality [3:30]
24. Trusting the Moment [6:44]
25. Appreciations [3:27]
26. Ketchup: End Credits [3:46]
1. "No Need" [3:46]
2. "Shiftless" [5:22]
3. "The Other Life" [7:04]
4. "From the East, Light" [4:52]
5. "Chef's House" [2:35]
6. "Cheers" [3:28]
7. "The Best Time of the Day" [5:39]
8. "The Cobweb" [2:48]
9. "The River" [4:38]
10. "Cathedral" [4:55]
11. "Errand" [2:36]
12. "Late Fragments"/Credits [8:56]
In one of his most ambitious cinematic undertakings, director Robert Altman folded no less than ten of Raymond Carver’s short stories into this sprawling 1993 comedy-drama -- an audacious, star-studded epic that encompassed no fewer than 22 significant characters. Short Cuts reveals the variegated, unaccountable ways people react when fate hands them unexpected challenges, victories, and defeats. To wit: Bruce Davison and Andie MacDowell are devastated when their son is hit by a car driven by down-at-heels waitress Lily Tomlin, who is despondent over her crumbling marriage to chauffeur Tom Waits. Attending the boy is doctor Matthew Modine, who frets that his artist wife, Julianne Moore, may be having an affair. Her model, Madeleine Stowe, is married to L.A. cop Tim Robbins, who is cheating on her with Frances McDormand, herself recently separated from helicopter pilot Peter Gallagher. When Modine and Moore meet Anne Archer, who works as a clown at children’s birthday parties, they invite her and husband Fred Ward to dinner, but first Ward takes a fishing trip with buddies Buck Henry and Huey Lewis, during which they discover the body of a dead woman floating in the water. Altman and co-scripter Frank Barhydt show remarkable ingenuity in dovetailing the various vignettes (some of them inevitably more effective than others), and editor Geraldine Peroni juggles them with admirable dexterity. What’s important to remember is that there’s no central plot, only a theme. The film is carried by the interplay of its sharply delineated characters rather than a linear narrative, and the entertainment value lies in the richness of the ensemble performances. Over three hours long, Short Cuts is oddly titled -- but it’s a stunning achievement that ranks among the very best of Altman’s distinctive motion pictures. Ed Hulse, Barnes & Noble
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