Shooting the Past with Stephen Poliakoff: DVD Cover
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Shooting the Past
a.k.a. Exxon Mobil Masterpiece Theatre: Shooting the Past Director: Stephen Poliakoff

DVD - 2 Disc Set Learn more

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  • DVD Release Date: 09/05/2006
  • Original Release: 1999
  • Rating: Not Rated
  • Sales Rank: 7,724

Viewer Rating: (2 ratings)

Detailed Rating: "Visuals" See All

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  • Overview
  • Editorial Reviews
  • Scenes
  • Customer Reviews
  • Cast & Crew
  • Full Product Details

Features

Commentary by Stephen Poliakoff, composer Adrian Johnston and production designer JP Kelly; Interview with Stephen Poliakoff and cast; Photo montage

Full Product Details

Scene Index

Disc #1 -- Shooting the Past
1. Chapter 1 [5:33]
2. Chapter 2 [7:36]
3. Chapter 3 [5:40]
4. Chapter 4 [6:06]
5. Chapter 5 [8:53]
6. Chapter 6 [4:50]
7. Chapter 7 [12:25]
8. Chapter 8 [4:48]
9. Chapter 9 [8:49]
10. Chapter 10 [5:43]
1. Chapter 1 [3:36]
2. Chapter 2 [5:33]
3. Chapter 3 [9:22]
4. Chapter 4 [10:09]
5. Chapter 5 [9:05]
6. Chapter 6 [7:40]
7. Chapter 7 [4:18]
8. Chapter 8 [2:40]
Disc #2 -- Shooting the Past
1. Chapter 1 [7:04]
2. Chapter 2 [8:07]
3. Chapter 3 [6:51]
4. Chapter 4 [7:06]
5. Chapter 5 [5:52]
6. Chapter 6 [12:26]
7. Chapter 7 [7:19]
8. Chapter 8 [5:42]

Scene Index

Editorial Reviews

This 1999 British film pits idealistic overseers of a London photography collection against a pragmatic American entrepreneur exercising his right to evict them from a mansion he has purchased. The photo collection is one of the world's largest, containing ten million pictures which the staff files, maintains, and rents to various media. From an aesthetic standpoint, the collection -- dating all the way back to the beginning of photography in the 19th century -- is priceless. The key question is what will happen to it, for wealthy American businessman Christopher Anderson (Liam Cunningham) owns not only the building, but also the collection itself. After announcing plans to remodel the mansion into a state-of-the-art business school, he threatens to destroy all but the most valuable photographs because there's no time, according to his rat-race schedule, to find a new repository for them. Feisty curator Marilyn Truman (Lindsay Duncan) and her eccentric assistant, Oswald Bates (Timothy Spall), then hatch plots to thwart his plans. First, they "mislay" a selection of highly valuable photographs. When that stratagem doesn't work, Truman persuades Anderson to look at several stacks of the ordinary, less valuable photographs. These photographs turn out to be extraordinary. One set tells the poignant story of a Jewish family victimized by the holocaust. The images impress Anderson, but he refuses to alter his plans. Then Bates launches an ingenious scheme. Using his incredible "photographic" memory, he selects a few startling photos from among the millions -- photos that have a connection to Anderson's past. These photographs, and the secrets they hold, stun Anderson while demonstrating the variety and vastness of the collection. Will he alter his plans to save the collection? Meanwhile, Bates, believing his scheme has failed, attempts suicide, and the final moments of the film reveal whether Bates and the photos will survive. ~ Mike Cummings, All Movie Guide All Movie Guide

Customer Reviews

  • Viewer Rating:
  • Ratings: 2Reviews: 2

My favorite Movieby TSC

Reader Rating:
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January 16, 2009: This little-known gem has become my favorite movie (besides, maybe, To Kill a Mockingbird). I've watched it at least three times, and I rarely watch a movie more than once. It is completely original, and the acting is first-rate except for the actor who plays the American businessman (he's pretty wooden and never seems to be responding to the other actors/characters - just reciting his lines on cue). You will not regret buying this movie.

I Also Recommend: Prime Suspect 1.

A Word is Worth a Thousand Picturesby Anonymous

Reader Rating:
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October 23, 2002: The opening narrator, Oswald Bates (Timothy Spall), dedicates this story to all who have experienced sudden and catastrophic change in their life. However, the film is also a delightful tribute to the world of photography and photo-journalism: those artisans who bring to life compelling stories via ''still'' photos. Aside from the enjoyment of watching several intriguing dramas occur simultaneously, it is also a marvelous tour de force for actors Lindsay Duncan and Timothy Spall.

This review was written about the VHS edition.