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Closed Caption; Original theatrical trailer; English: Stereo surround; French: Stereo surround; Spanish: Mono; English, French, Spanish & Portuguese language subtitles
Full Product DetailsSide #1 -- Widescreen
1. Main Title/The Best [6:20]
2. The Double Deuce [10:01]
3. New Wheels and Digs [5:33]
4. The Rules [3:44]
5. A Good Night [5:00]
6. Dead Man [4:30]
7. Brawn & Brains [6:51]
8. Improvement Society [3:55]
9. Wade [1:44]
10. Some Kind of Life [6:09]
11. The Town Ruler [3:49]
12. Physical Examination [8:42]
13. Old Buddies [9:18]
14. Firestarter [7:57]
15. Monster Truck [3:25]
16. Called Out [4:29]
17. Face-Off [4:07]
18. Heads or Tails [4:53]
19. Our Town [8:41]
20. Stay/End Credits [4:46]
Side #2 -- Standard
1. Main Title/The Best [6:20]
2. The Double Deuce [10:01]
3. New Wheels and Digs [5:33]
4. The Rules [3:44]
5. A Good Night [5:00]
6. Dead Man [4:30]
7. Brawn & Brains [6:51]
8. Improvement Society [3:55]
9. Wade [1:44]
10. Some Kind of Life [6:09]
11. The Town Ruler [3:49]
12. Physical Examination [8:42]
13. Old Buddies [9:18]
14. Firestarter [7:57]
15. Monster Truck [3:25]
16. Called Out [4:29]
17. Face-Off [4:07]
18. Heads or Tails [4:53]
19. Our Town [8:41]
20. Stay/End Credits [4:46]
History may relegate Patrick Swayze to the dust heap of Hollywood has-beens; but with his lead turn in Rowdy Herrington’s Road House, he stakes his claim to cinematic immortality. Swayze, clad in cowboy boots and skin-tight jeans, is Dalton, a former New York University philosophy student and martial arts expert who (we kid you not) works as a "cooler" (head bouncer) at a rough-and-tumble honky-tonk in Jasper, Missouri. This place is so tough that the house band (led by blind blues guitarist Jeff Healey) plays in a cage to protect them from flying bottles and hurled bodies. None of this fazes Dalton, who manages to: keep the unruly rednecks in line without mussing a strand of his blow-dried hair; clean up the town, which is under the thumb of a wealthy thug (Ben Gazzara); and get down with a hot blonde doctor (Kelly Lynch). Along the way he dodges monster trucks and mouths lines like "Pain don’t hurt" while stitching up his own wounds, Terminator-style. Is this schizophrenic mishmash of westerns, gangster films, and kung fu movies ludicrous? Completely, and that’s what makes Road House so much fun. Swayze, taking the role of soulful hunk to heart, plays the whole thing utterly straight: He’s the ultimate strong-silent screen archetype of the Reagan ‘80s. Bad movies just don’t get any better than this. Kryssa Schemmerling, Barnes & Noble
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