Reds with Warren Beatty: DVD Cover

    Reds Director: Warren Beatty Cast: Warren Beatty, Diane Keaton, Edward Herrmann, Jerzy Kosinski

    DVD - 2 Disc Set - Special Edition / Wide Screen / Repackaged / Bonus CD Learn more

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    • DVD Release Date: 08/05/2008
    • Original Release: 1981
    • Rating: Rated PG
    • Sales Rank: 21,317

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    • Overview
    • Editorial Reviews
    • Scenes
    • Customer Reviews
    • Cast & Crew
    • Full Product Details

    Scenes

    Features

    Closed Caption; Witness to Reds:; The Rising; Comrades; Revolution - Part 1; Revolution - Part 2; Testimonials; The March; Propaganda; New dvd trailer

    Full Product Details

    Scene Index

    Disc #1 -- Reds
    1. The Witnesses [:17]
    2. Mrs. Trullinger [1:49]
    3. A Bit of a Rebel [3:18]
    4. "You Don't Rewrite What I Write" [4:46]
    5. A Poet [8:15]
    6. War [:43]
    7. Alone [8:12]
    8. To Russia [3:13]
    9. Partners [5:01]
    10. Revolution [4:08]
    Disc #2 -- Reds
    1. The Red Scare [8:04]
    2. Building a Party [2:31]
    3. Don't Go [7:23]
    4. A Place on the Train [5:08]
    5. Searching for Each Other [3:03]
    6. The Dream Is Dying [6:41]
    7. Revolution Is Dissent [1:15]
    8. Comrades [6:51]
    9. Fading Recollections/Credits [8:41]

    Scene Index

    Editorial Reviews

    The term "sprawling epic" was coined long before Warren Beatty produced this ambitious, richly detailed romantic drama set against the tumultuous backdrop of early-20th-century radical politics. But Reds, which was released theatrically in 1981 and comes now to DVD in a freshly spiffed-up 25th Anniversary Edition, is a sprawling epic like no other. Beatty, who also co-wrote and directed, plays radical American journalist John Reed, a part of New York's flourishing, Greenwich Village-based community of bohemians in the early 1900s. He’s in love with aspiring writer Louise Bryant (Diane Keaton), but with intense intellectual curiosity and a rabid desire to be in the thick of things, he ventures off to Russia to chronicle the October Revolution spearheaded by the newly minted Bolshevik movement. The idealistic Reed embraces many of the Bolsheviks' socialist principles and sees in them great hope for America. In the movie’s roughly eight-year arc -- Reed died just shy of his 33rd birthday in 1920, in Moscow, and is the only American buried in the Kremlin -- the screenplay frames his political disillusionment with his marriage to Bryant. It is a tumultuous relationship: The bored Bryant runs away from her first marriage in Oregon for the excitement of Greenwich Village, marries Reed, sees him off to Moscow, and embarks on an affair with the playwright Eugene O'Neill (Jack Nicholson). Reed and Bryant’s emotional reunion in a Russian train station ranks among the great romantic climaxes in modern film, in part because the chemistry between Beatty and Keaton is immediately evident (they were off-screen lovers as well at the time). While lavishly appointed, scrupulously accurate in its depiction of the period, and meticulously crafted, Reds is not a perfect film. But the film is powerful and forcefully told, (as well as highly acclaimed, scoring wins for Beatty as best director, and Stapleton as best supporting actress, among its 12 Oscar nominations); an idea-driven spectacle that, one expects, could never be made today. . Ed Hulse, Barnes & Noble

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    Customer Reviews

    Redsby Anonymous

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    July 16, 2006: I first saw Reds on television in the mid-Eighties, and was absolutely enthralled by both the dramatic story of the film and its treatment of historical events which had been subject to a blanket condemnation by American society for over sixty years (at that point). As a director and, I believe, co-scriptwriter, Warren Beatty proved himself to be a cinematic force to be reckoned with, as he saw fit to release a film which flew in the face of the conservative philosophy of the Reagan years when he could have coasted from conventional film success to success. Beatty and Diane Keaton are perfectly cast as John Reed and Louise Bryant, the two American radicals who are caught up in and embrace the nascent Bolshevik Revolution, only to become jaded by the Revolution's progress and mutation. Of special interest is Jack Nicholson's portrayal of Eugene O'Neill. O'Neill's period as a radical is often overlooked in depictions of him as an artist, so the inclusion of him within the narrative adds to the historical sweep of the film and depicts one of our finest playwrights in what is his most shadowy period. Reds stands as one of the finest American political films ever produced, and its long-awaited release on DVD can only be a source of happiness for those of us who have been relying on worn pan-and-scan videotapes for years now. Oh yes, one really should read both John Reed's and Louise Bryant's books concerning the Bolshevik Revolution, Ten Days that Shook the World and Six Red Months in Russia. The film and the books complement each other almost perfectly.

    This review was written about the DVD Wide Screen edition.

    Redsby Anonymous

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    December 01, 2002: Reds, a relatively forgotten classic, struck me as one of the most profound films produced in America. The movie unfolded its characters with great depth; Louise Bryant (Diane Keaton) being a personality of particular complexity and passion, and John Reed (Warren Beatty) an American writer/journalist whose idealism and ambition lead him to the forefront of the Russian Revolution. This couple's love through all its troubles is extraordinarily intense and grips the viewer to the very end. Through the war and the love affairs, the movie never takes sides. This is perhaps it's greatest strength. The ''RED'' phobia is continually addressed and dismantled by putting the viewer back in time and forward in time. The interviews are a brilliant juxtaposition of comic relief and provide yet another perspective, sometimes so petty, one can only laugh at its stupidity. In summation it is a movie that lives with the viewer long after one sees it, with moments that have rarely been equaled in the cinema.

    This review was written about the VHS edition.


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