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Closed Caption; Commentary with film critic Richard Schickel; Isolated music and effects track; The Making of Rebecca; featurette; The Gothic World of Daphne Du Maurier featurette; Screen tests; 3 radio plays; Hitchcock interviews:; Audio interviews with Peter Bogdanovich and François Truffaut; Original theatrical trailer; Still galleries
Full Product DetailsDisc #1 -- Rebecca
1. Main Titles [1:47]
2. Manderley [1:53]
3. Chance Meeting [4:11]
4. Paid Companion [4:39]
5. A Broken Man [3:21]
6. Uncorking the Bottle [2:28]
7. Leaving at Once [2:23]
8. New York or Manderley? [7:34]
9. Welcome Home [2:47]
10. East Wing, West Wing [3:53]
11. The Morning Room [6:44]
12. Lunch With the In-Laws [5:18]
13. The Stone Cottage [4:33]
14. What Was She Really Like? [4:02]
15. Gossip [6:36]
16. Rebecca's Favorite Cousin [4:27]
17. Inner Sanctum [6:31]
18. Favorite Family Portrait [4:25]
19. The Wrong Choice [6:14]
20. Shipwreck [2:47]
21. Living With the Devil [12:43]
22. The Other Body [2:25]
23. So Much Older [2:54]
24. Inquest [4:35]
25. Big, Bad Wolf [4:14]
26. No Stone Unturned [7:18]
27. A Matter of Months [6:08]
28. Conflagration [3:32]
Based on the novel by Daphne du Maurier, the classic psychological thriller Rebecca was Alfred Hitchcock's first American film. Joan Fontaine plays the unnamed narrator, a young woman who works as a companion to the well-to-do Mrs. Van Hopper (Florence Bates). She meets the wealthy widower Maxim de Winter (Laurence Olivier) in Monte Carlo, where they fall in love and get married. Maxim takes his new bride to Manderlay, a large country estate in Cornwall. However, the mansion's many servants refuse to accept her as the new lady of the house. They seem to be loyal to Maxim's first wife, Rebecca, who died under mysterious circumstances. Particularly cruel to her is the prim housekeeper Mrs. Danvers (Judith Anderson), who is obsessed with Rebecca. She continually attests to her beauty and virtues (referring to her as "the real Mrs. de Winter") and even preserves her former bedroom as a shrine. The new Mrs. de Winter is nearly driven to madness as she begins to doubt her relationship with her husband and the presence of Rebecca starts to haunt her. Eventually, an investigation leads to the revelation about Rebecca's true nature. Producer David O. Selznick had the final cut of the picture, which was drastically altered from Hitchcock's original vision. Andrea LeVasseur, All Movie Guide
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