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Feature-length audio commentaries by director Barry Levinson and co-screenwriters Ronald Bass and Barry Morrow; a deleted scene featuring Hoffman and Cruise in a convenience store; featurette from 1988 featuring cast-and-crew interviews and behind-the-scenes footage; photo gallery; original theatrical trailer.
Full Product DetailsSide #1 --
1. Main Title/Car Delivery [2:56]
2. Fighting Off the Sharks [3:02]
3. "Let's Talk!" [2:26]
4. Charity to Most [4:06]
5. "I Got the Rosebushes" [2:31]
6. "Raymond Is Your Brother" [5:13]
7. Strictly Routine [5:25]
8. Back in Two Hours [3:01]
9. "Definitely Not My Room" [3:34]
10. Whose Money Is It? [5:23]
11. Pancake Tuesday [3:04]
12. 246 Toothpicks [2:34]
13. "Qantas Never Crashed" [4:12]
14. Lots of Traffic [4:00]
15. Rained In [3:09]
16. "I'm an Excellent Driver" [2:49]
17. Walk, Don't Walk [:21]
18. "He's Artistic?" [2:05]
19. "Four Minutes to Wapner" [3:46]
20. Who Is on First [5:22]
21. The Day Rain Man Left [2:44]
22. Dryer TV/Out of Business [7:47]
23. Cardsharp Savant [4:00]
24. Sparkly Iris [2:18]
25. Dancing for High Rollers [8:16]
26. The Substitute Date [2:34]
27. Driving Home [5:34]
28. Not the Money Anymore [5:19]
29. It Has to Stop [3:08]
30. Questions for Raymond [2:48]
31. On the Shiny Train [2:14]
32. End Credits [:39]
"Remarkable" and "spellbinding" are two words often appropriately used to describe the Oscar-winning Best Picture of 1988, a profoundly moving drama leavened with occasional bits of hilarity by director Barry Levinson. After the death of his father, Charlie Babbitt (Tom Cruise) quickly finds himself the caregiver to his autistic older brother, Raymond (Dustin Hoffman), who has been institutionalized for most of his life. Charlie gradually warms up to the sibling he barely knows, facing innumerable challenges presented by Raymond's needs and eccentricities. The narrative tends to meander at times, and its outcome is more or less predictable, but Levinson elicits such amazing performances from his two leading men that you won't care about plot complications; your attention will be riveted on Cruise and Hoffman. Valeria Golino contributes a nice supporting turn as Charlie’s girlfriend, Susannah, who becomes disgusted with his selfishness and ultimately takes him to task for exploiting Raymond's unusual talents. But for most of the movie it's just Cruise and Hoffman on the screen, radiating energy and bouncing sharp lines off each other in dizzying succession. The Ron Bass-Barry Morrow screenplay also won an Academy Award, as did Levinson's direction. The guy who really earned his little gold statuette, though, was Hoffman, whose multilayered and perfectly consistent performance still ranks as one of the most accomplished in film history. Ed Hulse, Barnes & Noble
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