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| DVD - Special Edition / Wide Screen / Digi-Pak / Subtitled | $26.99 |
| DVD - Wide Screen / Black & White | $19.99 |
Psycho, Alfred Hitchcock's 1960 masterpiece, not only encouraged thousands to shun showers in favor of baths, it completely changed the face of horror and suspense films to come. From naughty Janet Leigh's heist of $10,000 in the opening scenes to her risqué display of personal hygiene at the Bates Motel, Hitchcock's classic simultaneously pushed Hollywood's buttons and created some of the most memorable and horrific images in cinematic history. Inspired by the psychology and handiwork of real-life psychopath Edward Gein (also the inspiration behind The Texas Chainsaw Massacre), the story introduces Norman Bates (Anthony Perkins), a reclusive motel manager and amateur taxidermist who has a strange relationship with his mother. Although certain scenes -- particularly Bates's psychiatric evaluation -- come off as stilted and dated today, both Perkins and Leigh deliver eternally creepy performances, and Bernard Hermann's soundtrack is arguably the most chilling ever recorded. The stabbing violins complement the film's atmosphere the way that a good Merlot complements a bloody filet mignon. Hitchcock's notorious attention to detail emerges in endless bird references, from the opening camera work reminiscent of a feathered friend's flight, to the Phoenix locale, to Bates's taxidermy and middle name, "Francis," the patron saint of birds. Hitchcock felt that Psycho was too gory to be shot in color, and he probably never imagined that anyone would try. Still, director Gus Van Sant remade the classic in 1998, in color, but otherwise matching Hitch shot-by-shot. Like Norman's birds, it didn't quite fly. Simon Goetz, Barnes & Noble
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