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Closed Caption; Commentary with director Neil LaBute
Full Product DetailsSide #1 --
1. Blackadder's Boys [4:09]
2. The Letters [5:17]
3. The Scholar Investigates [4:17]
4. Maud Bailey [2:20]
5. Blanche's Diary [7:28]
6. Seal Court [2:47]
7. Dolly Hides a Secret [3:10]
8. Creatures of the Pen [5:49]
9. To Stand in a Fire [5:52]
10. A Matter of Life and Death [3:30]
11. Four Weeks in Yorkshire [3:33]
12. The Cave [1:38]
13. The Other Side of Attraction [4:52]
14. Fergus's Fax [13:27]
15. Christabel's Condition [5:11]
16. The Box [8:21]
17. Grave Robbers [4:23]
18. You Have a Daughter [2:10]
19. A Poet Walked Out... [4:53]
20. End Titles [4:06]
The turbulent, adulterous relationship between Queen Victoria's poet laureate and a fiercely independent beauty is chronicled in Neil LaBute's romantic drama Possession, but it comprises only part of this elaborately constructed, deeply passionate movie. In fact, the romance between Randolph Ash (Jeremy Northam) and the exotic Christabel (Jennifer Ehle) is merely one of two described in LaBute's film adaptation of A. S. Byatt's award-winning novel. The other, equally complex and just as engrossing, involves Roland (Aaron Eckhart), an American scholar, and his British counterpart, Maud (top-billed Gwyneth Paltrow). Quite by accident, Roland finds one of Ash's love letters to Christabel. Maud initially pooh-poohs his discovery but reluctantly helps him undertake a search for the truth -- a truth that will change the world's understanding of the great poet. During this process the two academics fall in love and come to realize that their romance is every bit as star-crossed as the one they're investigating. This complicated tale is very much at odds with LaBute's earlier, hard-edged works In the Company of Men and Your Friends and Neighbors. In fact, with its sumptuous production, measured pacing, and understated acting, Possession resembles the type of movie you associate with the Merchant-Ivory team. The premise is quite bewitching, and LaBute weaves a spell that makes the film dreamlike, so much so that one is actually disappointed when it ends. That kind of enchantment is rarely found in contemporary movies, and it makes Possession a clear standout among recent dramas. LaBute provides a commentary for the DVD. Ed Hulse, Barnes & Noble
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