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Digitally remastered audio & anamorphic video; Production notes; Interactive menus; Audio: 2-channel [Dolby surround], Spanish, Portuguese; Subtitles: English, Spanish, Portuguese, Chinese, Korean, Thai; Photo montage; Vintage advertising; Talent files; Theatrical trailer; Bonus trailers; Scene selections
Full Product DetailsSide #1 -- WIDESCREEN VERSION
0. Scene Selections
1. Start [2:46]
2. Hal Carter [1:19]
3. Madge Owens [2:30]
4. New yard man [6:28]
5. Hal's resume [6:23]
6. Teasing Millie [1:49]
7. Looks are everything [4:53]
8. The granary [3:35]
9. Water sports [1:40]
10. Wall of education [3:32]
11. Male call [1:14]
12. Howard Bevans [5:27]
13. Picnic [5:04]
14. Hal's old man [6:36]
15. Artistic admirer [4:28]
16. Queen of Neewollah [1:15]
17. "Moonglow" [4:10]
18. "Ride 'em, cowboy!" [3:50]
19. All his fault [2:58]
20. "I'm a bum." [3:54]
21. "Take me with you." [4:34]
22. "You all right, baby?" [6:32]
23. Every right to be sore [5:17]
24. On the lam [2:45]
25. Howard's hide-out [1:49]
26. Future Mrs. Bevans [4:51]
27. "I love you, Madge." [4:43]
28. Tulsa bound [5:00]
Side #2 -- FULL SCREEN VERSION
0. Scene Selections
1. Start [2:46]
2. Hal Carter [1:19]
3. Madge Owens [2:30]
4. New yard man [6:28]
5. Hal's resume [6:23]
6. Teasing Millie [1:49]
7. Looks are everything [4:53]
8. The granary [3:35]
9. Water sports [1:40]
10. Wall of education [3:32]
11. Male call [1:14]
12. Howard Bevans [5:27]
13. Picnic [5:04]
14. Hal's old man [6:36]
15. Artistic admirer [4:28]
16. Queen of Neewollah [1:15]
17. "Moonglow" [4:10]
18. "Ride 'em, cowboy!" [3:50]
19. All his fault [2:58]
20. "I'm a bum." [3:54]
21. "Take me with you." [4:34]
22. "You all right, baby?" [6:32]
23. Every right to be sore [5:17]
24. On the lam [2:45]
25. Howard's hide-out [1:49]
26. Future Mrs. Bevans [4:51]
27. "I love you, Madge." [4:43]
28. Tulsa bound [5:00]
This classic adaptation of William Inge's tale of repressed small-town sexuality stands as the cinematic highpoint of successful Broadway director Joshua Logan. The deceptively calm waters of a close-knit Kansas community are disturbed by the arrival of a handsome drifter to the all-important Labor Day picnic. Originally a small-town girl herself, sexy Kim Novak gives a vulnerable, touching performance as the local beauty queen who longs for romance, while a buff William Holden portrays the drifter as a well-meaning but none-too-bright loser -- alternately charming and awkward; always self-defeating. Almost stealing the show, veteran actress Rosalind Russell offers such a fascinatingly grotesque take on the standard spinster role that she tears across the screen like a force of nature. And the evocative production design by Jo Mielzner and cinematography by veteran James Wong Howe tie it all together, perfectly capturing the bleakness of the story's restrictive setting. Long regarded as one of the sexiest films ever made, Picnic's overheated melodrama forcefully expresses the playwright's critical view of the era's sexual mores, making it a striking representation of '50s America. Amy Robinson, Barnes & Noble
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