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The long awaited director's cut of the film, with a new widescreen transfer and a new 5.1 Surround mix; The original theatrical trailer; Liner notes by Vincent Canby; Subtitles for the deaf and hearing impaired
Full Product DetailsChapters
0. Chapters
1. Logos/Opening credits [5:06]
2. Appleyard College, St. Valentine's Day 1900 [2:10]
3. No tomboy foolishness [2:14]
4. "Waiting a million years-just for us" [2:58]
5. Michael and Albert [2:38]
6. Broken heart [3:06]
7. "We shall only be gone a little while" [6:10]
8. The ugly old Rock [2:50]
9. Sara and the deer [4:11]
10. ."..the Right Time And Place" [3:33]
11. Something terrible [4:51]
12. "Quite intact" [2:37]
13. Miss McCraw, sans skirt [3:40]
14. The bloodhound [1:50]
15. Cold sweats [5:23]
16. Search party [2:20]
17. "I'm staying here" [2:10]
18. Paper trail [3:45]
19. Dirty lace [4:36]
20. News of Irma [1:48]
21. Only one [3:00]
22. Torn fingernails, no corset [3:04]
23. Plants that can move [1:55]
24. The lady circus rider [4:07]
25. "I feel sorry for them kids" [3:30]
26. "I remember...nothing" [2:45]
27. "She likes daisies best of all" [2:32]
28. "Tell us, Irma!" [2:34]
29. Giving notice [4:26]
30. The smell of pansies [2:53]
31. "Au revoir" [3:06]
32. Memento mori [3:23]
33. Closing credits [1:40]
A drowsy numbness envelops Peter Weir's gorgeous Picnic at Hanging Rock, an atmospheric mystery unlike any other film ever made. Set in Australia in 1900, the story is about the strange disappearance of three schoolgirls (Anne-Louise Lambert, Karen Robson, and Jane Vallis) and a teacher (Vivean Gray) during an afternoon outing in the country after exchanging valentines. While the school's stern headmistress (Rachel Roberts) tries to cope with the bad publicity, the search for the girls' whereabouts only makes their absence more enigmatic, part of an almost archetypal confrontation between civilization and the impenetrable secrets of nature. Against a backdrop of Victorian repression, Weir creates a remarkable aura with a nonstop volley of alluring femininity: the girls wear lacy dresses, white gloves, and straw hats; they sing, read poetry, and press flowers; one is even compared to a Botticelli angel. And the soundtrack is lush throughout, mixing Bach and Beethoven with the exotic sounds of pan-flute master Gheorghe Zamfir. The result is a film of hypnotic beauty and frightening mystery, capped off by a scene where the fateful picnic appears as if through a dreamy haze, an idyllic slow-motion tableau that is simply unforgettable. Gregory Baird, Barnes & Noble
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