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Closed Caption; ; Audio Essay on the life of George Patton; Theatrical Trailer
Full Product DetailsDisc #1 -- Patton
1. Stars and Stripes [6:18]
2. Main Titles [2:01]
3. Kasserine Pass, Tunisia, 1943 [:06]
4. The Bible and Hollywood [3:37]
5. In Like a Lion [2:56]
6. The General Takes Charge [1:01]
7. 2,000 Years Ago [7:47]
8. Field Marshall Erwin Rommel [:08]
9. Complete Air Supremacy [3:28]
10. An Engraved Invitation [2:57]
11. A Desperate Battle [2:04]
12. A Sixteenth-Century Man [4:21]
13. An Interesting Plan [2:37]
14. The Algerian Lavatory [5:10]
15. A Simple Old Soldier [7:21]
16. Patton Takes Palermo [1:55]
17. Doing the Impossible [2:37]
18. Old Blood and Guts [3:28]
19. To Shame a Coward [:30]
20. Taking Messina [4:38]
21. An Iron Boot [2:50]
22. Intermission [6:02]
23. Vive La France [2:38]
24. On Probation [1:44]
25. "Our War Is Over" [3:59]
26. Man Without an Army [1:09]
27. Back in the Saddle [4:18]
28. A Pain in the Neck [2:39]
29. Out of Gas [:44]
30. The Heart of Germany [6:23]
31. Bound for Bastogne [3:00]
32. A Weather Prayer [2:05]
33. The Pure Warrior [5:05]
34. Victory [3:17]
35. Q&A [4:51]
36. All Glory is Fleeting [3:30]
37. End Titles [:26]
This superb biographical film won the 1970 Academy Award for Best Picture, with George C. Scott earning (but refusing) the Best Actor Oscar for his portrayal of the flamboyant American general. Director Franklin J. Schaffner's epic conjures a larger-than-life Patton against a big-budget, wide-screen WWII backdrop, following him from his arrival in North Africa in 1943 to the days immediately following the German surrender in 1945. That the film examines a mere two years in Patton's life seems suitable for a man who declares at one point, "Compared to war, all other forms of human endeavor shrink to insignificance." So Gen. George S. Patton's background, private life, and postwar career (which was cut short by an automobile accident) are of no interest. Instead, Patton portrays the man as a magnificent anachronism, an eternal warrior who lives only to fight. Scott's gravely voiced portrayal is the stuff of legend: Kicking off with the famous monologue delivered in front of a wall-sized American flag, Scott struts and bullies his way through the film with absolute conviction. Although Patton's vainglorious bloodlust is effectively contrasted with the down-to-earth decency of his friend and rival General Omar Bradley (Karl Malden), Patton does not try to conceal its deep affection and admiration for the eponymous hero. Indeed, the film seems at times a romantic celebration of war -- its gore-free battle scenes set against magnificent scenery to Jerry Goldsmith's rousing score. Yet the defense of the film rests in the observation that, for good or ill, this Patton is a true archetype, and his love of war is not merely an aberration but an expression of something deep within the human psyche. Ultimately, whether you admire or revile him, attention must be paid to a man like this, and Patton stands as one of Hollywood's most powerful depictions of the seemingly unquenchable thirst for the glory of battle. Gregory Baird, Barnes & Noble
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