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Closed Caption; Filmmakers' audio commentary with Laura Lau and Chris Kentis; Audio commentary with actors Blanchard Ryan and Daniel Travis; Deleted scenes; English and Spanish subtitles; "The Indie Essentials"; "Calm Before the Storm: Making Open Water"
Full Product DetailsSide #1 --
1. Going Away / Main Titles [4:34]
2. On Vacation [2:50]
3. Not in the Mood [3:36]
4. Reef Explorer [3:14]
5. The Buddy System [3:40]
6. Under the Sea [4:12]
7. Head Count [3:16]
8. "Where's Our Boat?" [4:28]
9. Close Call [4:48]
10. Jellyfish Stings [3:04]
11. False Hope [4:19]
12. Drifting Apart [5:13]
13. The Bad Kind [4:31]
14. Assigning Blame [5:49]
15. Under Attack [7:14]
16. The Lord's Prayer [4:01]
17. Missing Persons [1:56]
18. Too Little, Too Late [3:36]
19. Submit and Submerge [2:58]
20. End Credits [2:08]
The terrifying story of a young couple who go scuba diving with a large group only to be accidentally left behind in deep water off the Bahamas, Open Water was touted as this year's Blair Witch Project: shot on digital video with a shoestring budget, this independent film delivered more chills than most major-studio fright films costing millions more to make. It didn't generate quite as much hype as Blair Witch, but the achievement of husband-and-wife filmmakers Chris Kentis and Laura Lau remains an impressive one. The movie was independently financed and shot over a period of more than two years, on weekends and during vacation time. (Kentis didn't want to leave his day job.) It's a minimalist story, to say the least; aside from some basic expository footage showing the yuppie couple on vacation, there's nothing else but the basic shark-circling situation -- which is all the more harrowing for its simplicity. The movie poses one essential question: Will the couple be rescued by humans or eaten by sharks? What makes it compelling is the suspenseful depiction of the ordeal. The camera stays trained on the husband and wife as they register annoyance at first, then fear, and ultimately resignation. Using digital video cameras they bought after researching equipment on the Internet, Kentis and Lau became a crew of two -- there were no electricians, gaffers, makeup people, or boom handlers. The couple edited the movie at home on their computer. Costars Blanchard Ryan and Daniel Travis, who provide one of the two commentaries for this DVD, confirm something else discussed in the behind-the-scenes featurette: They performed all their own scenes in shark-infested waters without stunt doubles, relying on a "shark wrangler" to keep their finny colleagues well fed and properly motivated. Ed Hulse, Barnes & Noble
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