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Closed Caption; Twist by Polanski: the director reflects on the making of Oliver Twist; The Best of Twist: an in-depth look at the film through the sets, costumes, cinematography, editing and music; Kidding with Oliver Twist: meet the young stars as they discuss filming Oliver Twist
Full Product DetailsDisc #1 -- Oliver Twist
1. Start [2:25]
2. Time for Education [3:08]
3. "I Want Some More" [3:39]
4. Liberal Terms for a Boy [3:11]
5. At the Undertaker's [3:32]
6. Settling In... and Out [6:51]
7. The Road to London [3:20]
8. A Little Kindness [2:24]
9. Breakfast With the Dodger [3:38]
10. Fagin's Warm Welcome [5:22]
11. Learning the Game [7:08]
12. "Stop, Thief!" [2:52]
13. On Trial [3:36]
14. How to Find Oliver? [3:06]
15. A Loving Home [7:13]
16. An Errand Gone Awry [5:38]
17. Chat About Hanging [4:44]
18. Bill's Lecture [6:09]
19. Bungled Burglary [6:34]
20. Plans for the Boy [4:21]
21. An Urgent Message [3:41]
22. No Going Out Tonight [4:19]
23. The Dodger Dodges [4:16]
24. Flight of Thieves [2:50]
25. Silence... and News [4:19]
26. Bull's-eye's Not Fooled [3:23]
27. Desperate Bargain [5:41]
28. "You Were Kind to Me" [12:44]
Few literary masterpieces have been adapted to the screen as frequently as this Charles Dickens classic; Roman Polanski’s recent version is the 26th we know of -- and one of the very best, to boot. We suspect the Polish-born director identifies very strongly with this tale of a young orphan cast adrift on the ramshackle streets of London’s shabbiest neighborhood: In 1943, at the age of ten, Polanski saw his parents carted off by Nazis and was left to fend for himself in the Warsaw Ghetto. Unlike earlier versions of Oliver Twist that romanticized the protagonist’s situation and surroundings, Polanski’s adaptation depicts an even filthier, less hospitable city. The story’s essential details remain the same: young Oliver (Barney Clark), having left the orphanage, falls in with the Artful Dodger (Harry Eden) and other street urchins working as pickpockets under the guidance of the shifty Fagin (Ben Kingsley). The lad becomes part of this seedy little fraternity and runs afoul of the cruel Bill Sykes (Jamie Foreman), whose kindhearted lover, Nancy (Leanne Rowe), ultimately falls victim to his murderous impulses. Dickens made Fagin a Jew and presented him as an anti-Semitic caricature. More than any other filmmaker who’s tackled the story, Polanski softens the character and makes him almost sympathetic. That’s an interesting innovation, and one that enables Kingsley to contribute a more fully rounded portrayal -- it is, in fact, one of his best. For that matter, Oliver Twist is one of Polanski’s best as well. Ed Hulse, Barnes & Noble
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