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| DVD - Wide Screen | $12.99 |
Commentary by director Steven Soderbergh and screenwriter George Nolfi; Nearly 30 minutes of additional scenes; HBO First Look: Twelve is the new eleven; Theatrical trailer
Full Product DetailsSteven Soderbergh, a talented filmmaker known for alternating small, arty films with more commercial projects, finally hit the box-office jackpot in 2001 with the star-studded remake of the Rat Pack favorite Ocean’s 11, so a sequel was inevitable. Soderbergh successfully reunites the entire Ocean’s Eleven cast and adds several other stars who sweeten the celebrity pot. Like its predecessor, Ocean’s Twelve is a lighthearted caper flick that relies to a great extent on the interaction of its cast members, and the movie’s more about that chemistry than the caper itself. Terry Benedict (Andy Garcia), the casino owner whom Danny Ocean (George Clooney) and his ten partners ripped off in the first film, has tracked the gang down, and he gives them two weeks to repay -- with interest -- the money they stole from him. In desperation, the thieves head for Europe to stage heists that will net them the required amount. What they haven’t counted on is competition from a master thief known only as the Night Fox (Vincent Cassel) and the tenacity of Interpol investigator Isabel Lahiri (Catherine Zeta-Jones), who is determined to apprehend them. Ocean’s Twelve unfolds in Amsterdam, Rome, and Paris, affording picturesque backdrops for the ingenious thefts planned by Danny and his crew. As Danny’s wife, Tess, Julia Roberts -- whose part in the first film was largely decorative -- takes a larger role this time around, thanks to a clever gambit that draws her into the largest of the planned heists. Bruce Willis plays himself in an extended cameo, and Soderbergh favorite Albert Finney pops up as well. The ridiculously convoluted story holds together, if only by a thread. But that hardly matters, because it’s evident from the first reel that the cast is having a great time. In fact, Ocean’s Twelve is one of the most self-aware movies we’ve seen in many moons, and the in-jokes speed by like Vespa scooters. It basically dares the viewer to have as much fun as the onscreen participants -- a challenge that's easy to accept. Ed Hulse, Barnes & Noble
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