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Closed Caption; Making-of documentary; stories from the North Country; Additional scenes; Theatrical trailer; Languages: English & Français (Dubbed in Quebec); Subtitles: English, Français & Español (Feature Film Only)
Full Product DetailsDisc #1 -- North Country
1. Not Coming Back [3:10]
2. Disappointments [4:18]
3. Job at the Mine [5:45]
4. Where They're Not Wanted [3:33]
5. On the Job [3:58]
6. Pranks and Putdowns [4:49]
7. Take it Like a Man [6:48]
8. A Night Out [7:09]
9. Conveyer #4 [7:04]
10. A Few Differences [2:40]
11. Hockey Game Slander [6:36]
12. Where's Our Respect? [3:23]
13. Meeting With Person [4:51]
14. Like a Bull-Headed Teenager [:25]
15. Learn the Rules [4:41]
16. Deaf Ears [3:03]
17. I Want a Lawyer [3:09]
18. Other Plaintiffs Needed [5:08]
19. A Mother Rebels [5:04]
20. Union Meeting [4:35]
21. Covered in Soot [6:35]
22. Student/Teacher Relationship [1:48]
23. A Lot of Work to Hate [5:25]
24. You Were Mine [4:15]
25. Yellow-Ice Witness [3:15]
26. I Stand With Josey [3:47]
27. Behind the Wheel [2:35]
28. Coda, Dedication and End Credits [1:44]
Determined to take control of her life, single mom Josey Aimes (Charlize Theron) leaves her abusive boyfriend and moves back to the Minnesota mining town where she grew up. With opportunities scarce, she takes a job in the mines, only to find the workplace dangerous, dirty, and demeaning. Inspired by the first real-life class-action suit brought for sexual harassment, North Country provides Theron yet another meaty role that, like her Oscar-winning turn in Monster, sullies her glamour-puss persona. She didn't gain 30 pounds to play Josey, but she's no cover girl, either. Theron's ability to immerse herself in the role of a working-class single mother makes this film utterly convincing. New Zealand-born Whale Rider director Niki Caro replicates an oppressive workplace in which the few women workers are daily subjected to profanity, ridicule, and worse. Josey, being somewhat more attractive than the others, gets singled out for more blatant pestering and fights back the only way she knows how. You can't help but sympathize with her when she hires local lawyer Bill White (Woody Harrelson) to level harassment charges at her persecutors in court. Even her own father (Richard Jenkins), a mineworker himself, doesn't seem very sympathetic to her plight, and union rep Glory (Frances McDormand) is initially reluctant to get involved. Granted, Caro stacks the deck to make most of the male mineworkers particularly repugnant and the women all terrified victims, rendering North Country an unyielding catalyst for outrage. Caro's skill and the sterling performances of a stellar cast make it a particularly compelling two hours of cinema. Ed Hulse, Barnes & Noble
More reviews and recommendations
Harsh, ugly language used against Josey and the other women ( and variations on the f-word); also "damn," "hell," and slang for genitals.
Rape scene shown in flashback, violent physical abuse of women by at two men.
Sexy dancing in a saloon, rape scene shown in flashback.
Repeated drinking and some smoking.
Not an issue.
Not an issue.
About North Country
Parents need to know that this mature drama begins with a woman leaving her husband after he has beaten her (beating is unseen, but her bloody, bruised face is visible). The movie includes tense family scenes, when the woman argues with her father (a miner who believes she should have stayed with her husband), and with her son (who eventually learns the identity of his father, a high school teacher who raped his mother when she was a student: this violent scene appears in flashback pieces, and might upset younger viewers). The film includes repeated scenes of harsh harassment of women workers at the mine: graffiti, rough language, semen left in a locker, a PortAJohn turned over with a woman inside, and one man assaults a woman, pressing her onto a pile of rocks and leaving her dirty and bruised. High school hockey games include some typical roughness. A woman develops Lou Gherig's disease and we see her deterioration.
Families can talk about the courage it takes for Josey to stand up to her employers and her coworkers, including men and women who just want to keep their jobs. She also faces condemnation from her miner father: how does their reconciliation begin when he sees her harassed by other men? How does Josey's relationship with her own kids change as she persists in her struggle for equal treatment on the job and in town?