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Interactive menus; Audio: English two-channel (Dolby Surround), Portuguese (mono); Subtitles: English, Spanish, Portuguese, Chinese, Korean, and Thai; Digitally remastered audio and anamorphic video; Production notes; Director Tom Savini's audio commentary; "The Dead Walk" making-of featurette; Theatrical trailers; Talent files; Scene selections
Full Product DetailsSide #1- Widescreen
0. Scene Selections
1. Start [3:10]
2. Grave situation [5:14]
3. Uncle Rege's house [2:46]
4. Ben [5:31]
5. Yard clean-up [1:23]
6. "Fight!" [1:56]
7. Trash talk [2:51]
8. Hell on earth [2:27]
9. Gun search [2:27]
10. Tom & Harry [7:17]
11. In the cellar [1:58]
12. Barricades [5:37]
13. Ebs [1:20]
14. "Open this door!" [2:56]
15. Bitten [2:30]
16. Mr. Magruder [2:22]
17. "Is he dead?" [2:42]
18. News report [2:52]
19. Key search [2:36]
20. Going for gas [3:58]
21. Tom blows it [2:06]
22. Sarah [:39]
23. "I want that gun." [2:17]
24. "Shoot it." [6:59]
25. Last laugh [3:38]
26. Having fun [2:18]
27. Too late [:53]
28. Another for the fire [5:15]
Side #2- Full Screen
0. Scene Selections
1. Start [3:10]
2. Grave situation [5:14]
3. Uncle Rege's house [2:46]
4. Ben [5:31]
5. Yard clean-up [1:23]
6. "Fight!" [1:56]
7. Trash talk [2:51]
8. Hell on earth [2:27]
9. Gun search [2:27]
10. Tom & Harry [7:17]
11. In the cellar [1:58]
12. Barricades [5:37]
13. Ebs [1:20]
14. "Open this door!" [2:56]
15. Bitten [2:30]
16. Mr. Magruder [2:22]
17. "Is he dead?" [2:42]
18. News report [2:52]
19. Key search [2:36]
20. Going for gas [3:58]
21. Tom blows it [2:06]
22. Sarah [:39]
23. "I want that gun." [2:17]
24. "Shoot it." [6:59]
25. Last laugh [3:38]
26. Having fun [2:18]
27. Too late [:53]
28. Another for the fire [5:15]
Makeup wizard Tom Savini's color remake of George A. Romero's 1968 classic follows the original almost shot-for-shot, so quality comparisons are somewhat pointless. The film was clearly made for younger viewers who refuse to watch black-and-white films, no matter how good they may be. The result is passable, but the very fact that the original was made 22 years before makes this version seem almost dated in its restraint. By the time of its release, Romero had already geometrically raised the gore quotient with Dawn of the Dead (1978) and Day of the Dead (1985), so Savini's starting back at square one further lessened the impact of this pointless retread. If this version has anything to offer, it is Patricia Tallman's engaging lead performance as a gun-toting independent woman, one of this film's few elements not lifted wholesale from Romero. Robert Firsching, All Movie Guide