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Closed Caption; Additional scenes - with optional commentary; Pass the Beef gag reel; Theatrical trailer; Languages: English & Français (dubbed in Quebec); Subtitles: English, Français & Español (feature film only)
Full Product DetailsDisc #1 -- Must Love Dogs
1. Credits [2:04]
2. Divorced Duo [3:46]
3. Benched [4:29]
4. Mr. Incorrigible [3:39]
5. My Dad's Date [4:30]
6. On Offense on the Web [3:30]
7. Short Attention Spans [3:47]
8. Dog Park Rendezvous [4:10]
9. Hello, Dolly - and Bobby [3:26]
10. Happy Singalong [3:29]
11. Second Shots [3:14]
12. Everybody Except Us [5:45]
13. Date Reports [5:13]
14. Brown Penny [3:11]
15. Never Ready [3:02]
16. Just Friends [4:44]
17. Too Many Men [5:23]
18. Pole and Tap Dancing [5:19]
19. Guys Like You [5:36]
20. Cheer Me Up [2:59]
21. Not Quite Zhivago [4:58]
22. Nice Turn of Phrase [3:09]
23. Today's Special [3:49]
24. End Credits [4:27]
Erstwhile child star and glamour girl Diane Lane, having gotten much better with age, seems perfectly comfortable these days with roles calling for maturity and worldliness -- qualities Hollywood doesn't necessarily appreciate in today's leading ladies. Lane is especially good in this breezy romantic comedy, playing a recent divorcée approaching middle age and dreading the dating scene. At the insistence of her pushy older sister (Elizabeth Perkins), she enrolls with an online dating service and begins seeing various men, one of whom (John Cusack) makes a shockingly weak first impression but fascinates her anyway. Director Gary David Goldberg, who also wrote the script, is a TV veteran whose hit series include Family Ties and Spin City. It shouldn't be surprising, therefore, that the situations and dialogue have the facile quality associated with sitcoms; at times it seems as though the characters aren't having authentic conversations but, rather, tossing one-liners at each other. Still, the lines are generally clever and the characters reasonably well drawn. Dermot Mulroney, for example, plays a single dad who woos Lane while simultaneously romancing one of her co-workers. It would have been easy to make him a two-dimensional creep, but to his credit, Goldberg makes the guy more likable than he needs to be. Lane, too, is depicted as judgmental and a bit too quick to bristle -- qualities with which all of us can relate but which aren't too off-putting. Somewhat less essential to the film's structure, but cleverly developed in its own right, is a subplot involving Lane's widowed father (Christopher Plummer) and his slightly frowsy girl friend (Stockard Channing). Obtrusive though it occasionally seems, this material hits a receptive chord because Goldberg makes us care about the oldsters and gives them an equal share of snappy things to say. But this is Lane's show all the way; she effortlessly dominates every scene she's in, and you can't help but love her character even when she's being snotty. Noël Coward it ain't, but Must Love Dogs is a smart, sassy comedy for those old enough to appreciate how tough it can be to begin life's second act. Ed Hulse, Barnes & Noble
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