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Cast interviews; Deleted scenes; Original police confession; Filmmaker biography; Interactive menus; Scene selection
Full Product DetailsSide #1 --
1. Patrick McGuinness [2:37]
2. Ann Finnell [5:15]
3. Opening Statements [3:58]
4. The Eye-Witness [9:56]
5. The Alibi [4:00]
6. The Investigation [10:30]
7. The Purse [4:56]
8. A Visit [3:22]
9. The Confession [16:55]
10. The Accused [6:03]
11. Melissa Butler [5:47]
12. The Written Statement [13:04]
13. Final Arguments [11:54]
14. Verdict [2:18]
15. 45 Minutes Later [5:18]
16. 4 Months Later [:02]
17. Police Press Conference [1:05]
18. Epilogue [1:43]
The genesis of this Oscar-winning documentary feature was one of the more appalling miscarriages of justice in recent American history. In May of 2000, Mary Ann Stephens, a 65-year-old tourist from Georgia, was shot and killed by a black assailant in Jacksonville, FL. Anxious not to damage their tourist trade, the Jacksonville police rushed out and picked up the first black "suspect" who happened to be available: 15-year-old Brendon Butler, who at the time of his arrest, was en route to a job interview. The grieving husband of of the murder victim, who had glimpsed the killer from a distance, was virtually coerced by the arresting officers into identifying Butler as the guilty party -- and later, thanks to the strong-arm tactics of his interrogators, and without benefit of counsel, the boy confessed to a crime which he did not commit. Brash, chain-smoking public defender Pat McGuinness, sensing that the prosecution's case stank to high heaven, proceeded to mount a courtroom defense for Butler which may well survive the decades as a textbook case of brilliant jurisprudence -- while the trial itself will undoubtedly forever serve as a cautionary example of the perils and pitfalls and prejudice of "swift justice." Assembled by French documentary filmmaker Jean-Xavier de Lestrade, this 111-minute feature was originally released under the title Un coupable ideal. As Murder on a Sunday Morning, the film was afforded a Los Angeles theatrical showing in September of 2001 to qualify for the Academy Awards; most Americans, however, saw the film when it aired on the HBO cable network on April 2, 2002. Hal Erickson, All Movie Guide