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Theatrical Trailer; International Trailer; Making of Featurette; DTS Film Making Demo Featurette; Interview with Patty Jenkins & Composer BT
Full Product DetailsDisc #1 -- Monster
1. Opening Credits [2:29]
2. Selby [3:34]
3. Bar's Closed [1:41]
4. 5 Dollar Bill [4:19]
5. You Look Good [1:42]
6. What's Ohio Like? [7:13]
7. Tricks [2:30]
8. Quick Ride [5:45]
9. Give Me A Week [4:50]
10. Cheers [4:06]
11. This Is Big [4:50]
12. Day Off [4:25]
13. Party, Party, Party [3:45]
14. Settle First [3:20]
15. The Monster [6:40]
16. You're Welcome [2:51]
17. Funworld [3:37]
18. Discipline [1:34]
19. Hear Me Out [:43]
20. Victor [7:18]
21. Circumstance [5:44]
22. All Set [6:12]
23. Not You, Tom [4:16]
24. Only Me [2:45]
25. End Credits [6:33]
One of 2003’s most remarkable movies, Monster is distinguished by Charlize Theron’s Oscar-winning performance. The glamorous Theron underwent an astounding metamorphosis to play Aileen Wuornos, the infamous Florida prostitute executed for the murders of seven men. She gained weight, made her hair stringy, took the cap off a chipped tooth, and added freckles to her face. More than the physical transformation, though, Theron dipped deep into her own psyche to come up with a characterization that made Wuornos -- by most accounts a pretty despicable human being -- not only understandable but sympathetic. The film revolves around Wuornos’s relationship with Selby Wall (played superbly by Christina Ricci), whom she meets one day in a seedy bar. The couple set up house, and Wuornos, forced by lack of money to keep working as a prostitute, releases her pent-up rage by robbing and killing her johns. It may be difficult to imagine such unsavory material making a fine movie, but first-time director Patty Jenkins pulled it off. She doesn’t rely on flashy camera moves or narrative trickery; in fact, much of Monster is shot in a straightforward, unobtrusive style that suggests the work of a documentary filmmaker. Clearly, the thrust of her creative input was shaping the performances of Theron and Ricci, and the outstanding results suggest that Jenkins could be a filmmaker of rare talent. Some viewers might find the subject matter off-putting, and indeed, Monster is pretty tough going at times. But it’s also incredibly compelling, and well worth seeing if only for Theron’s appropriately praised star turn. Ed Hulse, Barnes & Noble
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