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| Blu-ray - Wide Screen / Subtitled / Dubbed | $19.99 |
Multiple featurettes, including "Art Forum," "College Then and Now," and "What Women Wanted: 1953"; Elton John music video for "The Heart of Every Girl"; theatrical trailers.
Full Product DetailsSide #1 --
1. Start [1:08]
2. Katherine Watson [3:39]
3. Nancy Abbey [1:15]
4. History of Art 100 [7:45]
5. Amanda Armstrong [1:55]
6. The New Syllabus [4:42]
7. Against the Law [2:11]
8. A Front-Page Attack [3:08]
9. Dismissed [5:06]
10. Not Dangerous, Subversive [1:10]
11. Joan Brandwyn [4:01]
12. Betty's Wedding [8:40]
13. The Jackson Pollock Assignment [5:27]
14. Accepted to Yale Law School [3:36]
15. An Early Christmas Present [1:37]
16. Off the Track [3:26]
17. The Paint-by-Numbers Lecture [3:55]
18. Adam's Ribs [5:54]
19. The Contemporary Art Lecture [4:19]
20. Stupid, Deceived & Angry [1:15]
21. Belated Gift Exchange [6:05]
22. The Truth About Charlie [2:34]
23. Spring Fling 1954 [7:15]
24. Her Fate Is Sealed [7:16]
25. Stan Sher [5:26]
26. A Conditional Invitation [3:59]
27. "How Else Will You Remember Us?" [3:12]
28. A Woman Who Lived by Example [9:18]
Julia Roberts, whose career choices haven't always been smart, picked a winner in this neatly directed drama, which unfolds in the rarified setting of Wellesley College during the early years of the Cold War. Roberts plays a free-spirited art teacher who finds her new assignment stultifying: Her well-to-do students seem less interested in expanding their minds and pursuing fulfilling careers than in marrying promising young scions of comparably proper breeding. Kirsten Dunst, in her most complex role since The Virgin Suicides, plays the ringleader of one student clique; intellectually gifted but insufferably snobbish, she deliberately shuns the adventure of personal achievement in favor of a conventional union sanctioned by her parents. Julia Stiles gets the less demanding but equally important role of a similarly talented pupil who finds herself yearning for something more than marriage and motherhood but fears abandoning the role for which she has prepared all her life. Director Mike Newell opts for a light touch, letting Roberts and company keep it on track with their sharply observed characterizations and spirited interplay. The younger actresses -- including Maggie Gyllenhaal, who is delightfully tart as the clique's resident "bad girl" -- all get ample opportunities to shine, and for her part Roberts refrains from upstaging them. Ultimately, Mona Lisa Smile is not a star vehicle but a true ensemble piece, and that helps make it a highly enjoyable viewing experience. Ed Hulse, Barnes & Noble
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