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Though not lacking in action -- indeed, this installment boasts some of the series’ most elaborate set pieces -- Mission: Impossible III emphasizes characterization more than its predecessors did, raising the film far above the level of the typical “popcorn movie.” As the story begins, Impossible Mission Force agent Ethan Hunt (Tom Cruise) has retired from field work and begun training younger operatives. When one of them, Lindsey Farris (Keri Russell), is captured while on assignment, Ethan is unable to rescue her but manages to snare brilliant, remorseless arms dealer Owen Davian (Philip Seymour Hoffman). This is just the prelude: Upon escaping from custody, the revenge-seeking Davian embarks on his biggest caper yet and kidnaps Ethan’s fiancée, Julia (Michelle Monaghan), knowing full well that Hunt will follow and, eventually, walk into his trap. In the skillful hands of Hoffman, for our money one of the best actors working in films today, the villain becomes far more believable -- and therefore more frightening -- than run-of-the-mill, two-dimensional, action-movie bad guys. The scenes in which he confronts Cruise’s character are unusually chilling, and the viewer has no trouble believing him supremely capable of making good on his blood-curdling threats. Having an actor of Hoffman’s caliber opposite him spurs Cruise to new flights of histrionic fancy, and his performance is markedly better than it was in the second installment. Director J. J. Abrams (Lost) gives his two stars plenty of elbow room, figuratively speaking, without losing sight of what this franchise needs to deliver: high-tech gadgetry, supercharged chase sequences, and physically demanding feats of derring-do. Ving Rhames is back as transportation specialist Luther Stickell, and series newcomers Jonathan Rhys-Meyer and Maggie Q make small but significant contributions as recent additions to the IMF team. Faster, smarter, and more emotionally engaging than most of today’s action thrillers, M:I III ups the ante considerably for future films in this popular genre. Ed Hulse, Barnes & Noble
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