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| DVD - Wide Screen / Includes CD | $27.99 |
| DVD - Full-Frame | $14.99 |
Additional scenes; theatrical trailer.
Full Product DetailsSide #1 --
1. Bank Stakeout [3:21]
2. You're Gracie Hart! [2:30]
3. Their New Face [2:03]
4. Dinner Dateless [3:58]
5. Women's Role Model [3:55]
6. Like a Star [2:12]
7. Regis and Kelly [4:51]
8. Hair and Kidnapping Tips [3:36]
9. Balking at Instructions [2:54]
10. Cutting Remarks [3:17]
11. Presence of Royalty [3:17]
12. Excessive Force [2:29]
13. Gracie Calling [6:12]
14. Dolly's Big Fan [4:58]
15. Whom They're After [4:58]
16. Each Other's File [4:06]
17. Ida Visits the Home [3:10]
18. Swim With Sharks [2:09]
19. Jeff's Moment of Truth [4:06]
20. Heartless to Hart [2:31]
21. A Grip on Themselves [:33]
22. Uncramping Her Style [4:10]
23. Showgirl Agents [3:42]
24. Tina Takes the Stage [2:39]
25. We Need Your Car [5:54]
26. Slugging the Steeles [2:55]
27. Freeing Her Friends [3:49]
28. Snag in the Rescue [2:37]
29. You Get a Friend [1:57]
30. Mostly World Peace [4:41]
31. End Credits and Goofs [3:42]
This amiable sequel to Sandra Bullock's 2000 blockbuster is predictable from first frame to last, but that doesn't diminish its appeal, or the appeal of its enormously likable star. Like many "number twos," it's not so much a sequel as a remake, repackaging and regurgitating all the gags and character bits that made the original so popular. Bullock's FBI agent Gracie Hart is still a fashion-challenged klutz (her elaborate makeover in the first film notwithstanding), and her beauty-pageant stint has made her too easily recognizable to be an effective undercover agent. Gracie's already in hot water with her boss (Ernie Hudson) when the news comes in that her fellow contestant and current Miss United States, Cheryl Frasier (Heather Burns), has been kidnapped along with pageant host Stan Fields (William Shatner). Reluctantly teaming with a no-nonsense female agent (Regina King), Hart heads for Las Vegas to search for clues. In one of many nods to the first Miss Congeniality, Gracie utilizes the talents of yet another gay stylist, this one played by Diedrich Bader; he's flamboyant to Michael Caine's fey, which makes him somewhat less effective with similar material. King's openly contemptuous FBI agent is a bit too grating, and without a Benjamin Bratt for sexual tension the two female agents eventually come off like a modern-day Lucy and Ethel. Bullock's turn in disguise as an elderly retiree is labored, and she rather overdoes Gracie's constant snorting and singsong dialogue delivery. But there's no getting around the fact that she remains one of the big screen's most endearing performers, and her substantial charm is more than ample to overcome what weaknesses the film has in scripting. Director John Pasquin (Joe Somebody), obviously aware that he's helming a star vehicle, always keeps Bullock on center stage and fully exploits her considerable comedic talents. Ed Hulse, Barnes & Noble
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