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Closed Caption; Minority Report - Story to Screen; Deconstructing Minority Report featurette; The Stunts of Minority Report featurette; The Digital World of Minority Report featurette; Final Report: In-depth discussion with Steven Spielberg and Tom Cruise; Minority Report Archives: Production concepts for sets, costumes, props and vehicles, storyboard sequences, production notes, production photographs and bios
Full Product DetailsSide #1 -- Feature
1. Red Ball (Main Title) [6:43]
2. The Arrest of Howard Marks [8:00]
3. Clarity [6:24]
4. Pre-Determination [3:30]
5. Can You See? [5:02]
6. Ann Lively [7:23]
7. Case 1109 [5:32]
8. Everybody Runs [8:59]
9. Auto Assembly Line [3:36]
10. History of the Precogs [4:38]
11. Minority Report [5:13]
12. Eyeworks [4:30]
13. Public Pool [7:17]
14. The Spyders [5:21]
15. Agatha Is the Key [5:35]
16. Downloading Agatha [7:44]
17. Balloon Man [3:25]
18. Leo Crow [9:57]
19. An Echo [4:55]
20. So Much Love in This House [7:26]
21. All Thumbs [5:14]
22. A World Without Murder [6:28]
23. Forgive Me John [2:28]
24. In Peace (End Credits) [9:34]
Chalk up another triumph for Steven Spielberg, whose latest sci-fi effort ranks among his very best films. Minority Report, a futuristic thriller based on a story by author Philip K. Dick (Blade Runner), is also something of a tour de force for Tom Cruise. He plays police officer John Anderton, whose "future crimes" task force uses scientific technology and psychic premonitions to identify contemplated crimes and arrest the would-be perpetrators before they follow through with them. This expansive, revolutionary approach to law enforcement, overseen by visionary Lamar Burgess (Max von Sydow), seems to be foolproof -- until Anderton himself is identified as the potential murderer of a man he’s never met. Minority Report’s script synthesizes sci-fi stories, psychological thrillers, and police procedurals; the result is a complex melodrama that plays out like a particularly intricate whodunit. Spielberg’s trademark virtuosity manifests itself in the film’s striking visuals and elaborately staged action sequences. But the muscular performances of Cruise, von Sydow, and Colin Farrell (as a skeptical cop who becomes Anderton’s nemesis) -- along with those of supporting players Lois Smith, Tim Blake Nelson, and Steve Harris -- keep the story’s human element in the forefront and prevent the film from becoming an extravagantly produced piece of eye candy. To those disappointed by Spielberg’s previous genre offering, A.I., Minority Report will be seen as a much-welcome return to form. Ed Hulse, Barnes & Noble
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