Miller's Crossing with Gabriel Byrne: DVD Cover
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Miller's Crossing Director: Joel Coen Cast: Gabriel Byrne, Albert Finney, Marcia Gay Harden, Jon Polito

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  • DVD Release Date: 05/20/2003
  • Original Release: 1990
  • Rating: Rated R
  • Sales Rank: 7,274

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  • Overview
  • Editorial Reviews
  • Scenes
  • Customer Reviews
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  • Full Product Details

Scenes

Features

Closed Caption; Barry Sonnenfeld featurette; Cast interviews with Gabriel Byrne, Marcia Gay Harden, and John Turturro; Still gallery; Theatrical trailer

Full Product Details

Scene Index

Side #1 --
1. Ethics
2. Main Titles
3. Deep in the Hole
4. Looking for Verna
5. R.I.P. Rug Daniels
6. A Man of Principle
7. Bernie
8. Friends
9. A Question of Murder
10. Death and Danny Boy
11. Trust
12. The Kiss-Off
13. A Couple of Heels
14. Changed Circumstances
15. Miller's Crossing
16. Nothing to Worry About
17. Dane's Threat
18. Bernie's Play
19. Proof
20. A Message for Bernie
21. The Siege of The Sons of Erin
22. The New Boss
23. Calling Bernie's Bluff
24. To a Deep, Dark Place
25. A Lie and No Heart
26. Square
27. Goodbye, Leo
28. End Titles

Scene Index

Editorial Reviews

For their third feature, Miller's Crossing (1990), Joel Coen and Ethan Coen focused their film-literate gaze on the gangster genre, blending it with the film noir legacy they first explored in Blood Simple (1984). Set during Prohibition, the film evokes 1930s gangster film classics and Dashiell Hammett novels in its portrayal of Irish and Italian gangsters and the conflict touched off between them by a complicated web of betrayals involving a sinister crime boss (Albert Finney), his right-hand man (Gabriel Byrne), and a glib bookie John Turturro. Barry Sonnenfeld's shadowy cinematography lends a somber cast to the events, while set pieces like the forest execution and a chandelier-splintering shoot-out to the strains of "Danny Boy" revel in the Coens' talent for combining violence, drama, and high style. Though a few dissenters viewed Miller's Crossing as all surface and no substance, critics were impressed by the strong cast -- especially Turturro and Finney -- and bravura technique, declaring that the Coens had fully come into their own as filmmakers. The writer's block the Coens reportedly suffered while working on the screenplay became fodder for their next film, Barton Fink (1991). Lucia Bozzola, All Movie Guide

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Customer Reviews

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  • Ratings: 3Reviews: 2

Miller's Crossingby Anonymous

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December 12, 2001: Miller's Crossing is as disturbing and densely beautiful as its opening image, a lofty forest that dwarfs the gangsters as they chuckle over their prey. There is an uncompromising magic about this primeval setting, until it comes over you like a wolf's shadow that this is where the brutal truly belong. The movie is brooding, dark and as coldly gleaming as gun metal. A gangster noir movie written and directed by Joel and Ethan Coen, it is a grim classic to admire if not to love, a Dashiell Hammett-style jigsaw of hard-boiled argot, dame troubles and existential dread. As violent as the streets of Washington DC, this Prohibition-era drama - ''a dirty town movie,'' the Coens call it - is more than a little at home as a blood-and-pulp parable for these times. While Miller's Crossing is not as inspired as Scorsese's GoodFellas, or as richly grand as The Godfather, it accomplishes exactly what it sets out to do. It's a smaller gangster movie, more studied and controlled, but features great moments and performances that stay with you.

This review was written about the VHS edition.

Miller's Crossingby Anonymous

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August 28, 2000: ''Miller's Crossing'' is an engrossing tale of loyalty and deceit all spellbindingly sewn together by the Coen Brothers. This film approaches the craftsmanship of ''The Godfather'' and ''The Godfather Part 2'' in design, charachers, sequencing and sound. Of particular note are an older Albert Finney as the Irish mob boss and Jon Polito as his rival Italian mob counterpart. The scene where Finney turns the tables on would-be assassins as ''Danny Boy'' plays is masterful. This is a highly underrated film.

This review was written about the VHS edition.