Barnes & Noble

One of the movies that defined American cinema of the 1970s, Mean Streets helped pave the way for independent filmmaking as we know it today. Martin Scorsese's 1973 release proved that there was an audience for realistic, character-driven films built around dark, complex characters. It is also the film that teamed Martin Scorsese, Harvey Keitel, and Robert De Niro for the first time. Set within the gritty milieu of New York's Little Italy, where the film was mostly shot, Mean Streets examines the strained friendship between two wiseguys, Charlie (Keitel) and Johnny Boy (De Niro). It's 1971, and their tight-knit community is also under strain as the world outside -- gays, blacks, drugs, Vietnam -- bears down on it. De Niro's portrayal of the volatile Johnny Boy made him a star, but it is Keitel's performance -- one of the finest of his career -- that carries the film. As an aspiring priest turned mobster, Keitel movingly conveys Charlie's conflicted Catholicism as he struggles to save his self-destructive buddy. Stripped down and brutal, this is nevertheless a beautiful, at times poetic, film that remains one of Scorsese's most personal works -- and one of his best. Andreas Killen

All Movie Guide

"You don't make up for your sins in church; you do it in the streets; you do it at home. The rest is bulls--t, and you know it." Returning to the autobiographical milieu of his 1968 debut Who's That Knocking at My Door? for his third feature, Martin Scorsese examined the daily struggles of a wannabe hood to keep his morals straight on the streets of Little Italy. Driven equally by his wish to become a respectable gangster like his uncle (Cesare Danova) and his desire to live his life like St. Francis, Charlie (Harvey Keitel) takes on his energetically unhinged friend Johnny Boy (Robert De Niro) as his own personal penance, intervening to get Johnny Boy to pay off a debt to the local loan shark Michael (Richard Romanus). Despite his promises to his epileptic girlfriend Teresa (Amy Robinson) that they will move out of Little Italy once he strengthens his position in his uncle's world, Charlie's involvement with Johnny Boy further ensnares him in the neighborhood. When Johnny Boy decides to mouth off to Michael rather than pay him, Charlie, Johnny Boy, and Teresa try to flee Michael's murderous anger (and an assassin played by Scorsese), forcing Charlie to realize that the rules of the streets do not mesh with absolution. Whereas fellow "film school generation" director Francis Ford Coppola transformed the Hollywood gangster movie into metaphorical epics about the Mafia and capitalism in The Godfather (1972) and The Godfather Part II (1974), Scorsese revised the genre in the opposite direction, focusing on the gritty minutiae of daily life and drawing from personal memory. Combining documentary-style realism (even though most of the film was shot in L.A.); kinetic editing and camera movement; and expressionistic lighting, angles, and film speed, Scorsese presents an intimate picture of the trivial incidents and latent violence of Charlie's and Johnny Boy's world, naturalistically unfolding their experiences rather than simply explaining what motivates them. They lead a claustrophobic, petty existence that Scorsese and screenwriter Mardik Martin witnessed growing up in Little Italy, complete with a soundtrack of hit songs like "Be My Baby" and "Jumping Jack Flash" that had poured out of neighborhood radios. Mean Streets opened at the New York Film Festival to excellent notices and played strongly in New York but failed to duplicate that level of business elsewhere. Even so, Mean Streets established Scorsese and De Niro as formidable young talents and marked the beginning of a long-running and fertile collaboration that continued in such films as Taxi Driver (1976), Raging Bull (1980), The King of Comedy (1983), and Goodfellas (1990). Scorsese's exceptional grasp of the texture of day-to-day life, the rhythm and cadences of street talk, and cinema's visual and aural possibilities makes Mean Streets one of the pivotal films of the 1970s, as well as of Scorsese's career, and an influence on such future filmmakers as Spike Lee and Quentin Tarantino, among many others. Lucia Bozzola

Product Details

• UPC: 085391912729
• Source: WARNER HOME VIDEO
• Region Code: 1
• Presentation: Wide Screen
• Sound: Dolby Digital Mono
• Language: English
• Subtitles: English, Français, Español
• Time: 1:52:00
• Sales Rank: 17,584

This DVD is also available as part of a box set:

• Scorsese Collection
• Scorsese Collection

Features:

DVD MENU