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Disc #1 -- Match Point
1. Welcome to London [6:12]
2. It's a Date [4:26]
3. An Aggressive Game [3:48]
4. Your Place or Mine? [2:55]
5. Luck vs. Hard Work [5:44]
6. Which Do You Prefer? [3:46]
7. Confidence [6:50]
8. Second Guesses [6:53]
9. Moving Up in the World [6:53]
10. Bad Timing [3:35]
11. Blind Chance [6:25]
12. A New Interest [1:09]
13. Getting Bored [4:48]
14. Bad Luck [2:27]
15. Feeling Guilty [4:34]
16. "On Holiday" [6:24]
17. Liar! [3:45]
18. The Plan [5:56]
19. The Tragedy of Life [3:06]
20. Unlucky [6:13]
21. Shocking News [5:36]
22. A Few Questions [6:19]
23. The Greater Scheme [6:47]
24. End Credits [7:06]
Woody Allen shifts operations to London for this low-key but effective drama, which reworks elements of his earlier Crimes and Misdemeanors and throws in a little Crime and Punishment for good measure. As is often the case, Allen sets his story in an upper-class milieu; his characters -- educated, attractive, and articulate to a fault -- interact in museums, opera houses, and country estates. Chris (Jonathan Rhys Meyers), a socially ambitious tennis pro, becomes friendly with wealthy Tom (Matthew Goode) and his sister Chloe (Emily Mortimer), whom he eventually marries. Comfortably ensconced in a cushy job provided by his father-in-law (Brian Cox), Chris seems to have everything he’s ever wanted -- but he risks throwing it all away by having an affair with Tom’s girlfriend, Nola (Scarlett Johansson), a young American actress looking for work in London. Complications quickly ensue, and before long Chris finds himself in territory that will be recognizable to anyone familiar with the conventions of Hollywood film noir. Allen, who also wrote the screenplay, weaves an intricate web. Rhys Meyers impresses with his portrayal of a tightly wound schemer, and Johansson shows more of the promise we glimpsed in her breakthrough role in Lost in Translation. For much of the critical community, Match Point was a return to form after a slew of perfunctory Allen movies. One of the more intriguing films of 2005, it also signaled that changing locales was the best thing Allen could have done for his art. Ed Hulse, Barnes & Noble
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