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Deleted scenes; Makin-of featurette; "Cribs With Louis XVI"
Full Product DetailsDisc #1 -- Marie Antoinette
1. Opening [2:19]
2. Schönbrunn Palace [3:20]
3. The Hand-Over [7:15]
4. Versailles! [4:09]
5. Royal Wedding [4:32]
6. The Wedding Night [6:21]
7. The King's Supper [3:40]
8. The Hunt [4:16]
9. Dressing Ceremony [5:14]
10. "You Must Speak to Her" [4:24]
11. Court Gossip [2:30]
12. First Opera [7:36]
13. Shoes and Cake [2:44]
14. The Masked Ball [8:53]
15. "We Are Too Young to Reign" [6:35]
16. "I'll Get the Small Trees" [3:25]
17. Brotherly Advice [4:11]
18. Le Petit Trianon [4:45]
19. Opening Night [3:14]
20. Count Fersen [9:51]
21. "Let Them Eat Cake" [7:19]
22. The Bastille Is Stormed [7:44]
23. "I'm Saying Goodbye" [1:04]
24. The End [7:16]
This revisionist take on one of history’s most colorful -- and perhaps unjustly notorious -- monarchs reunites Virgin Suicides writer-director Sofia Coppola and star Kirsten Dunst. Embodying France’s young, ultimately doomed queen, Dunst transforms Marie into a living, breathing human being possessed not only of flaws and foibles but also passion and intelligence. Thrust into an 18th-century maelstrom of political intrigue by virtue of an arranged and largely loveless marriage, the erstwhile Austrian princess -- isolated from the social and economic crises tearing France apart -- gets lost in a fantasy world of conspicuous consumption and abortive dalliances with eligible bachelors. Coppola brings contemporary sensibilities to the story, and as a result the film quite deliberately abounds in jarring anachronisms of dialogue, music, and character. Although traditionalists may find this approach off-putting, it certainly constitutes a fresh treatment of familiar material. Jason Schwartzman wryly portrays Louis XVI, the clueless heir to the throne, who fails to consummate his marriage to Marie for an astonishing seven years. Rip Torn is terrific as Louis XV, a shrewd ruler with hearty appetites for food and flesh. And Asia Argento does particularly well by the underdeveloped role of Louis's sultry mistress, Madame Du Barry. As might be expected, the period detail is impeccable with regard to costumes, location, décor (Coppola was the first director to have the run of Versailles), and even depictions of the lavish meals prepared at court. A feast for the senses, Marie Antoinette, anachronisms and all, is a richly detailed slice of history as seen through a very personal directorial eye. Ed Hulse, Barnes & Noble
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