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Featurette; Commentary track; Theatrical trailer; French-language track - 5.0 Surround; Widescreen [1.85:1] enhanced for 16x9 televisions
Full Product DetailsChapter Selection
0. Chapter Selection
1. Opening Credits/The Journey To Mansfield Park [5:18]
2. Fanny Arrives [5:18]
3. The Grand Tour [:33]
4. The History Of The World [3:41]
5. Horsing Around [3:34]
6. Updating Susie [1:34]
7. The Highly-Sought-After Crawfords [2:07]
8. A Home Theatrical [1:39]
9. Beauty Is More Than Skin-Deep [4:53]
10. How Flirting Leads To Marriage [10:37]
11. The Importance Of Men And Music [4:52]
12. The Ball [5:13]
13. Plans For The Future [4:13]
14. Refusing To Marry [3:32]
15. Fanny Returns Home [2:29]
16. Updating Fanny [6:26]
17. An Early-Morning Surprise [5:14]
18. Mr. Crawford Comes For Fanny [2:19]
19. Love Is In The Air [1:46]
20. Yes! I Will Marry You! [2:37]
21. A Change Of Heart [2:55]
22. Returning To Mansfield Park [1:50]
23. Everyone Returns To Care For Tom [2:32]
24. A Picture Is Worth A Thousand Words [3:44]
25. Love Can Be Confusing [3:38]
26. Maria And Mr. Crawford Run Off [2:13]
27. Mary Crawford's So-Called Plans [2:15]
28. Only Time Will Tell [1:58]
29. It Could Have Turned Out Differently, But It Didn't [6:30]
30. End Credits [2:14]
Director Patricia Rozema puts a refreshing spin on Jane Austen's most problematic novel by reconceiving its rather priggish heroine as a learned proto-feminist. Sent to live with her wealthy cousins, poor relation Fanny Price (Frances O'Connor) finds herself in an ideal situation to observe the upper-class marriage trade, allowing Rozema to foreground Austin's underlying theme of matrimony as slavery. Beautifully photographed by Michael Coulter, Mansfield Park has a strong sense of place, with each of the various locations an evocative representation of its occupants' inner lives. Although Fanny retains the unyielding moral code of the novel's heroine, the film alters her character by giving her livelier spirits and attributing to her bits of Austen's own writing, making her more palatable to the modern audience. The film benefits from an appealing performance by O'Connor, who heads a strong cast that includes an unsettlingly grotesque Harold Pinter and a charmingly self-involved Embeth Davidtz. By stripping away many of the novel's overlapping themes to focus on the slavery subtext, this provocative interpretation has a clarity and bite that the original's more subtle satire lacks. Amy Robinson, Barnes & Noble
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