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"The Making of Malèna"; Theatrical trailer; TV spots; French language track; Spanish subtitles; Dolby Digital 5.1 Surround Sound; Widescreen [2.35:1] enhanced fro 16x9 televisions
Full Product DetailsSide #1 --
0. Chapter Selection
1. Opening Credits: Bicycles, War And Beauty [1:30]
2. "Shut Up And Watch!" [1:30]
3. Measuring Up [2:11]
4. Skipping School For Malèna [2:43]
5. Long Pants And A Promise [1:59]
6. "Ma L'Amore No" [1:39]
7. A Stroll Through The Streets [2:12]
8. Going Blind [5:41]
9. Mourning With Malèna [4:56]
10. Malèna's Protector [1:53]
11. Prisoner Of The House [3:16]
12. Dishonor For Malèna [4:34]
13. Gossip And A Lawyer [3:06]
14. "Ill-Fated, Alone And Beautiful" [3:36]
15. The Lawyer's Retribution [2:52]
16. Unrequited Love And Long Pants [5:28]
17. Aerial Assault [2:34]
18. "In The Lord's Hands" [2:53]
19. A New Malèna [2:47]
20. "Possessed By The Devil" [1:57]
21. "A Wicked End" [5:01]
22. A Love, Lost [3:53]
23. Nino Scordia's Return [3:22]
24. Renato's Reply [1:01]
25. Regaining One's Dignity [3:10]
26. End Credits [4:42]
The thrills and agonies of an adolescent crush are thoroughly catalogued in Malèna, a charming and emotive period piece from director Giuseppe Tornatore (Cinema Paradiso). Set in a small Sicilian town during WWII, the story centers on Renato (Giuseppe Sulfaro), a 13-year-old boy with a hyperactive fantasy life who falls hard for the town's ultra-beautiful twentysomething newlywed, Malèna (Monica Bellucci). Tornatore leaves no stone unturned here in portraying a young man's sexual coming-of-age. There are girlie pictures and squeaky bedsprings galore, in scenes staged with just enough frankness to make the material seem fresh. He also creates his own version of Fellini's Amarcord, bringing the town to life as a circus of eccentrics -- folks who pray and gossip with equal fervor, while radio reports in the background track the war's progress. Meanwhile, Renato's imagination is explored through a series of fantasy sequences that reflect his obsession with movies. Sulfaro brings a perfect earnestness to his portrayal of Renato, while Bellucci's portrayal of Malèna is carefully understated, with few lines and a mere handful of carefully chosen emotional moments. She has supermodel looks, to be sure, but she is seen for the most part through Renato's eyes and functions as an empty vessel into which he pours his distilled adolescent adoration. Add an Oscar-nominated soundtrack by the legendary Ennio Morricone, and you have a film that is Italian on the surface but Hollywood at its core, a sweeping, irony-free story where love conquers all. Gregory Baird, Barnes & Noble
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