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Closed Caption; English: 5.1 surround; English & Spanish language subtitles; Original theatrical trailer
Full Product DetailsSide #1 --
1. Main Title/"Spare Me!" [5:49]
2. In Fear of God [2:16]
3. The Steps to Rome [5:11]
4. Student and Preacher [8:36]
5. "I Was Wrong" [6:44]
6. Savior of the Church [3:57]
7. The Price of Salvation [5:44]
8. Papal Politics [8:18]
9. One Word for the Cardinal [9:55]
10. How to Say No to Rome [5:48]
11. Feeding the Fire [3:42]
12. A Hearing in Germany [5:10]
13. A Simple Reply [2:36]
14. Should Anything Happen... [6:38]
15. The Great Leveling [4:27]
16. 100,000 Dead Peasants [7:32]
17. The German Bible [6:40]
18. Music and Marriage [2:06]
19. Revolt of the Princes [5:11]
20. End Credits [9:02]
Joseph Fiennes is one of those rare actors who look so much better in period garb than in modern-day duds that one wonders if anyone recognizes them on the street in T-shirt and jeans. He’s in top costumed form here as Martin Luther, the rebellious priest who risks everything to defy the Roman Church and spearheads the Protestant Reformation. This picturesque biographical film follows Luther from his early career as a law student, through his religious awakening following a near-death experience, to his days as a brilliant Augustinian monk who becomes disillusioned when he visits Rome and witnesses the political maneuverings and open sale of benedictions by money-grubbing clerics. Upon returning to his native Germany, Luther becomes the prime mover in a revolt against the Church that becomes vicious and bloody. Fiennes plays the reformer as a tremulous neurotic, either unwilling or unable to fully grasp the implications of the movement started by his protests. His Luther is not the paragon of moral certainty normally seen in films like this one, and that redounds to the movie’s credit. Television veteran Eric Till directs, doing a wonderful job of re-creating the period, and elicits sharp performances from a distinguished supporting cast that includes Alfred Molina as a greedy prelate, Bruno Ganz as Luther’s admiring mentor, and the late Peter Ustinov as Germany’s Frederick the Wise. Adapted from a play by John Osborne, Luther doesn’t quite match Fred Zinnemann's similarly themed, Robert Bolt-scripted A Man for All Seasons. Yet, it provides intelligent, literate entertainment in an era dominated by inconsequential fluff -- and for that much we should be profoundly grateful. Ed Hulse, Barnes & Noble
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