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Full Product DetailsDisc #1, Side A -- Love's Abiding Joy
1. Main Titles/Hard Times [9:03]
2. Joy Turns to Sorrow [4:35]
3. Safe In Heaven [1:25]
4. Too Soon [5:27]
5. Why? [2:45]
6. The New Sheriff [4:57]
7. Falling Apart [1:47]
8. A Countrary Young Woman [1:08]
9. Steak and Potatoes [5:37]
10. A Dark Cloud [5:35]
11. Unexpected Company [3:00]
12. Sacrificing for a Friend [2:13]
13. An Empty Shell [3:39]
14. Coming Back to Life [4:12]
15. Horse Thief [3:42]
16. Perfect Timing/End Titles [:47]
Disc #1, Side B -- Love's Abiding Joy
1. Main Titles/Hard Times [9:03]
2. Joy Turns to Sorrow [4:35]
3. Safe In Heaven [1:25]
4. Too Soon [5:27]
5. Why? [2:45]
6. The New Sheriff [4:57]
7. Falling Apart [1:47]
8. A Countrary Young Woman [1:08]
9. Steak and Potatoes [5:37]
10. A Dark Cloud [5:35]
11. Unexpected Company [3:00]
12. Sacrificing for a Friend [2:13]
13. An Empty Shell [3:39]
14. Coming Back to Life [4:12]
15. Horse Thief [3:42]
16. Perfect Timing/End Titles [:47]
Like the three previous films writer-director Michael Landon Jr. has adapted from Christian author Janet Oke's novels -- Love Comes Softly, Love's Enduring Promise, and Love's Long Journey -- Love's Abiding Joy was originally intended for cable television, although it earned a brief theatrical release. It plays best on the small screen, where it recalls a very special episode of Little House on the Prairie, Landon's father’s much-beloved TV series. Joy focuses on 19th-century settlers Missie (Erin Cottrell) and Willie LaHaye (Logan Bartholomew), whose faith is severely tested when a lengthy drought wreaks havoc with their cattle ranch and family. Reluctantly, Willie accepts the offer of mayor and local land baron Samuel Doros (John Laughlin) to become sheriff -- a job that entails enforcing the evictions of friends and neighbors who’ve fallen behind on their mortgage payments. Up to this point, Joy suggests a typical western, but the faith-based emphasis on Christian charity and the hope for redemption becomes pronounced once Willie’s adopted son, Jeff (Drew Tyler Bell), develops a chaste crush on finishing-school student Collette (Mae Whitman), who just happens to be the daughter of Doros. As period pieces go, Joy isn’t terribly concerned about strict fidelity to time and place. Landon’s film focuses more on the virtues of faith, love, and forgiveness. And in that respect, Love’s Abiding Joy is an unquestioned success, one not only suitable but recommended for family audiences. Ed Hulse, Barnes & Noble
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